This apple tree is not the first one I draw, but perhaps the thousandth. I feel the sap rise to its spreading branches. I feel in my toes how its roots grip the earth.
There's the tree with the branches that everyone sees, and then there's the upside-down root tree, growing the opposite way. So Earth is the branches, growing in opposing but perfect symmetry. The branches don't think much about the roots, and maybe the roots don't think much about the branches, but all the time, they're connected by the trunk, you know?
Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.
I feel like a tree. A tree doesn't feel a duty to start doing something about the earth from which it comes. A tree just has to bear fruit, and leaves and blossoms. It doesn't feel grateful to the earth.
I am a one-trick pony. If you tell most people to draw a picture of a tree, they'd draw 35 branches and 10,000 leaves. I will draw you a tree with four branches and three leaves, and I'll spend the rest of the week drawing inside of each leaf. In terms of the grand gesture, I reserve that maximum turbo blast energy for what I do as an artist, and I sing and dance for dinner.
Sadness gives depth. Happiness gives height. Sadness gives roots. Happiness gives branches. Happiness is like a tree going into the sky, and sadness is like the roots going down into the womb of the earth. Both are needed, and the higher a tree goes, the deeper it goes, simultaneously. The bigger the tree, the bigger will be its roots. In fact, it is always in proportion. That's its balance.
Love is faith's flower, hope is its stem. Grace comes into us by faith, like water through the roots of a tree. It rises in us by hope, like sap rising through the trunk of a tree. And it matures in us by [love] as fruit matures on a tree's branches, fruit for the neighbor's eating.
Does a leaf, when it falls from the tree in winter, feel defeated by the cold? The tree says to the leaf: "That’s the cycle of life. You may think you’re going to die, but you live on in me. It’s thanks to you that I’m alive, because I can breathe. It’s also thanks to you that I have felt loved, because I was able to give shade to the weary traveller. Your sap is in my sap; we are one thing.
I am a part of all you see In Nature: part of all you feel: I am the impact of the bee Upon the blossom; in the tree I am the sap that shall reveal The leaf, the bloom that flows and flutes Up from the darkness through its roots.
More and more, as civilization develops, we find the primitive to be essential to us. We root into the primitive as a tree roots into the earth. If we cut off the roots, we lose the sap without which we can't progress or even survive. I don't believe our civilization can continue very long out of contact with the primitive.
Love should be a tree whose roots are deep in the earth, but whose branches extend into heaven.
I became intensely aware of the being-ness of trees. The feel of rough sun-warmed bark of an ancient forest giant, or the cool, smooth skin of a young and eager sapling, gave me a strange, intuitive sense of the sap as it was sucked up by unseen roots and drawn up to the very tips of the branches, high overhead.
Being an American is a state of mind, and to be in a family is to feel the power of belonging, the power of your roots. Family is a tree, the strength of a tree, the roots, the leaves, the past and the present, the future, the fruits, the seeds.
It is quite affecting to observe how much the olive tree is to the country people. Its fruit supplies them with food, medicine and light; its leaves, winter fodder for the goats and sheep; it is their shelter from the heat and its branches and roots supply them with firewood. The olive tree is the peasant's all-in-all.
I paint a tree - I think of how the roots go deep, deep into the earth. How the tree grows year by year toward the sky. How it stands with the winds.
My senses have been stripped, my hands can't feel to grip, my toes to numb to step, wait only for my boot heels to be wandering.
When you draw or paint a tree, you do not imitate the tree; you do not copy it exactly as it is, which would be mere photography. To be free to paint a tree or a flower or a sunset, you have to feel what it conveys to you: the significance, the meaning of it.