A Quote by Frederick Lenz
It wasn't until after living in California for many years that I realized that you don't believe what anybody says, ever. Whatever they say, they're just making a movie - they just like the way they sound.
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I make people laugh for a living. I believe I can say objectively that what I do I do as well as anybody. Just say I'm one of the best broken field runners that ever lived. For 35 years I was a cult hero, an underground funny.
I don't believe in having to show anybody anything. I just do my work. You know, making a living as an actor is such a rarity on earth. It's like making a living as a painter. So I look at different opportunities in the same way as Jack Nicholson, who said once, "Keep popping up in different holes. That's what you want to do: Just keep popping up in different holes." That made a lot of sense to me.
I just feel that I enjoy the work more than I ever have... or just as much certainly... I enjoy making films behind the camera equally to making them in front of the camera on all those years. I just enjoy it, that's all. I've been lucky enough to work in a profession that I have really liked and so I figured I'd just continue until someone hits me over the head and says "get out".
The thing is, making movies as an actress, you learn so many things. Like when you're making a movie with Quentin Tarantino you're just at the best cinema school ever.
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.
We're the guys who, if someone says you really shouldn't do an episode making fun of Scientologists, we say, 'Whatever.' Someone says, 'They might come try to burn your house down,' we say, 'We'll just get another one.'
My daughter loved All About Steve movie, because she's 6 feet tall and she's different. And I got a lot of great e-mails from people who are different. I'm a gay icon. I'll just say it. That's what they say to me, so I'll accept it. I got so many e-mails saying that it meant so much to those people. My daughter said, "They didn't like it just because she didn't get the guy! If they had lived happily ever after, people would have liked that movie."
Do you know what you're saying when you say, "Whatever"? It's just a code word for the f-word, followed by "you." And at your age, you never, ever. say that to anyone.' " Blaze leaned back. "So now, when someone says it to me, I just say, 'You too.' (72)
Let's get a couple of things straight. It hasn't been years and years since I made a movie. I'm not coming back from the dead - I've just had two kids! I have no intention of retiring, but I do think it's impossible to do movie after movie, because there aren't that many good films made.
3D really altered the way I shot the movie completely, and it was exciting because, after 20 years of filmmaking, I felt like I was making my first movie, all over again.
I think the 'Terminator' idea is a reasonable one - that is that one day the Internet becomes self-aware and simply says that humans are in the way. After all, if you meet an ant hill and you're making a 10-lane super highway, you just pave over the ants. It's not that you don't like the ants, it's not that you hate ants; they are just in the way.
I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.
Many people say to me, particularly about my dance writing, 'It sounds just like you.' But it sounds just like me after I've made it sound like me.
I would say the biggest difference is that you're just in a studio by yourself when you're making an animated movie. You don't have anybody to play off of.
It wasn't until the movie came out that it all changed for us. Some people say it was the start of Ten Years After, but in another way, it was the beginning of the end.
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