A Quote by Frederick Lenz
Ecstasy should not be viewed as an unusual experience, but rather a natural experience - feeling all of the living matrix of existence around us.
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When we follow the reversal of normal experience, we find ourselves in an unusual, nearly mad experience. Being in an almost mad experience is not something we should fear: only in such experience are we jarred out of our common sense opinions and beliefs. It opens our minds to other ideas and thought. It makes us think.
Existence itself does not feel horrible; it feels like an ecstasy, rather, which we have only to be still to experience.
What makes us happy is to have a spiritual experience ... that experience of ecstasy in the deepest meditation; that's happiness.
Life is an endless matrix of existence. And as you experience it in that pure form, that's what we call enlightenment.
We should cast aside all childish games that fetter and exhaust body, speech and mind.
Stretching out in inconceivable nonaction, in the unstructured matrix, the actuality of emptiness,
where the natural perfection of reality lies, we should gaze at the uncontrived sameness of every experience,
all conditioning and ambition resolved with finality.
I never viewed technology as a replacement for the human experience. I viewed it as something that could liberate the human experience.
We are also very presumptuous to negate the possibility that an illness may be a gift. It's a neutral experience is what I'm trying to say. It should be viewed in some regard as no different than any other experience.
Flowers should be viewed when half open, wine should be drunk only to subtle intoxication; there is great fun in this. If you view flowers in full bloom and drink to drunkenness, it becomes a bad experience. Those who are living to the full should think about this.
To make love is to become like this infant again. We grope with our mouths toward the body of another being, whom we trust, who takes us in her arms. We rock together with this loved one. We move beyond speech. Our bodies move past all the controls we have learned. We cry out in ecstasy, in feeling. We are back in a natural world before culture tried to erase our experience of nature. In this world, to touch another is to express love; there is no idea apart from feeling, and no feeling which does not ring through our bodies and our souls at once.
The Gaian mind is what were calling the psychedelic experience. Its an experience of the living fact of the entelechy of the planet - and without that experience we wander in a desert of bogus ideologies. But with that experience the compass of the self can be set.
By inner experience I understand that which one usually calls mystical experience: the states of ecstasy, of rapture, at least of meditated emotion. But I am thinking less of confessional experience, to which one has had to adhere up to now, that of an experience laid bare, free of ties, even of an origin, of any confession whatever. This is why I don't like the word mystical.
In the dominant Western religious system, the love of God is essentially the same as the belief in God, in God’s existence, God’s justice, God’s love. The love of God is essentially a thought experience. In the Eastern religions and in mysticism, the love of God is an intense feeling experience of oneness, inseparably linked with the expression of this love in every act of living.
If I should certainly say to a novice, 'Write from experience and experience only,' I should feel that this was rather a tantalizing monition if I were not careful immediately to add, 'Try to be one of the people on whom nothing is lost.'
Words are merely utterances: noises that stand for feelings, thoughts, and experience. They are symbols. Signs. Insignias. They are not Truth. They are not the real thing. In fact, you place so little value on experience that when what your experience of God differs from what you've heard of God, you automatically discard the experience and own the words, when it should be just the other way around.
I was interested in writing a child's understanding of a cataclysmic event - something experienced in fragments, whispers, viewed from around corners - and it seemed to me a child would try to understand it through stories and games, which distort and change the experience, then become the experience.
The arts enable us to have experience we can have from no other source and through such experience to discover the range and variety of what we are capable of feeling.
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