A Quote by Frederick Lenz
We see the most beautiful creations whither. The beautiful young maiden becomes the old woman and she hates her body because it isn't what it used to be. The young man becomes the old dotard who has trouble remembering.
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When an old man and a young man work together, it can make an ugly sight or a pretty one, depending on who's in charge. If the young man's in charge or won't let the old man take over, the young man's brute strength becomes destructive and inefficient, and the old man's intelligence, out of frustration, grows cruel and inefficient. Sometimes the old man forgets that he is old and tries to compete with the young man's strength, and then it's a sad sight. Or the young man forgets that he is young and argues with the old man about how to do the work, and that's a sad sight, too.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
Women sit or move to and fro, some old, some young, / The young are beautiful--but the old are more beautiful than the young.
When a man becomes old, his greed becomes young: sleep grows heavy at the time of morning.
It is only when a woman surrenders her life to her husband, reveres and worships him, and is willing to serve him, that she becomes really beautiful to him. She becomes a priceless jewel, the glory of femininity, his queen!
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.
Showing a real human body and a woman who is looking at her body without shame - that alone is a radical notion. Showing a young woman who is honest about what she is experiencing and letting us into her most intimate, darkest thoughts, all of that is just promoting something that we don't get to see about young women.
I look deep into her rich brown eyes and she look into mine. Law, she got old-soul eyes, like she done lived a thousand years. And I swear I see, down inside, the woman she gone grow up to be. She is tall and straight. She is proud. She got a better haircut. And she is remembering the words I put in her head. Remembering as a full-grown woman.
Let's face it: There used to be something tragic about even the most beautiful forty-two-year-old woman. With half her life still ahead of her, she was deemed to be at the end of something--namely, everything society valued in her, other than her success as a mother.
A great artist can look at an old woman, portray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... more than that, he can make anyone with the sensitivity of an armadillo see that this lovely young girl is still alive
What happens is young girls see images of women being objectified, and the more the woman becomes an object the more followers and likes she has - they see that as a role model and try to imitate these women, but they're not old enough to know what they're doing.
Beautiful is old age—beautiful as the slow-dropping mellow autumn of a rich glorious summer. In the old man, Nature has fulfilled her work; she loads him with blessings; she fills him with the fruits of a well-spent life; and, surrounded by his children and his children's children, she rocks him softly away to a grave, to which he is followed with blessings. God forbid we should not call it beautiful.
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
When you're young your mother shields you from the world because she thinks you're too young to understand, and when she's old you shield her because she's too old to understand - or to have any more understanding inflicted upon her. The curve of life goes: want to know, know, don't want to know.
Sometimes you lose your way; you walk in the twilight of a forest; and suddenly you see an old but a beautiful house. And that old mossy house is a good quotation! It is old because it has wisdom; it is beautiful because it gives you a hope!
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