A Quote by Frederick Lenz

The things you see are real, but they are not a complete seeing - Samsara. — © Frederick Lenz
The things you see are real, but they are not a complete seeing - Samsara.
The willingness to not bypass illusion is very important. We come to nirvana by way of samsara. We come to see the true nature of things by seeing through the illusory nature of things. We don't come to nirvana by avoiding samsara. We don't come to clarity by avoiding confusion.
There's something about seeing someone who has actually no real supernatural powers and only being able to throw things with precision that kind of makes people be like, 'Oh, I can see that. I can put that person in real life, and I can see it play out as a human being.'
How can you see something that isn't there?" yawned the Humbug, who wasn't fully awake yet. "Sometimes, it's much simpler than seeing things that are,"he said. "For instance, if something is there, you can only see it with your eyes open, but if it isn't there, you can see it just as well with your eyes closed. That's why imaginary things are often easier to see than real ones." "Then where is Reality?" barked Tock. "Right here,"cried Alec, waving his arms.
Once you have the View, although the delusory perceptions of samsara may arise in your mind, you will be like the sky; when a rainbow appears in front of it, it’s not particularly flattered, and when the clouds appear, it’s not particularly disappointed either. There is a deep sense of contentment. You chuckle from inside as you see the facade of samsara and nirvana; the View will keep you constantly amused, with a little inner smile bubbling away all the time.
By renouncing samsara, we renounce our habitual grasping, unhappy minds. And by renouncing samsara, we embrace our potential for enlightenment.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
I think there's a danger of becoming too familiar with things, isn't there? That you kind of, when you're used to seeing the same things every day, you see those things come what may, and you don't see maybe the interesting things just slightly out of view behind them.
You can’t go on “seeing through” things forever. The whole point of seeing through something is to see something through it. To “see through” all things is the same as not to see.
They came down on us because we had a grass-roots, real people's revolution, complete with the programs, complete with the unity, complete with the working coalitions, where we crossed racial lines.
Once you've seen certain things, you can't un-see them, and seeing nothing is as political an act as seeing something.
I love saying terrible things. Things that I think are terrible and I've gotten in to trouble in the past - just hearing it come out of my mouth or seeing it typed and seeing it out there - something terrible that in real life isn't funny.
We do not see everything in the environment in the complete, totally resolved, explicit character of the photograph. We, in fact, prioritize our seeing.
My work isn't about form. It's about seeing. I'm excited about seeing things, and I'm interested in the way I think other people see things.
Photography is solitary and there are lags between seeing with your eyes and seeing through the lens, and then seeing the image on your computer... I often see things after the fact. So there’s a revelatory quality. And this definitely includes a sense of playfulness, because you’re not sure what the consequences are going to be.
You don't see what you're seeing until you see it but when you do see it, it lets you see many other things.
Squeeze 7cc's so I could see the seven seas, And CC all my friends so they could see what I was seeing... But what they saw was a despicable human being; So, I guess they just wasn't seeing what I was seeing.
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