A Quote by Frederick Lenz

Nirvana is very funny. It's not sincere particularly. It's rather frivolous, actually. — © Frederick Lenz
Nirvana is very funny. It's not sincere particularly. It's rather frivolous, actually.
I think anyone who's perfectly happy isn't particularly funny. And when you're very, very happy, you're not very funny. You're just happy. I'd rather be damaged and funny.
I don't really find things funny unless they're deeply tragic at the same time. I think if you're funny just for the sake of being funny, it's just frivolous nonsense. To me, all the best comic plays have been written about really serious and rather bleak things.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
Sincerity is all that counts. It's a widespread modern heresy. Think again. Bolsheviks are sincere. Fascists are sincere. Lunatics are sincere. People who believe the earth is flat are sincere. They can't all be right. Better make certain that you've got something to be sincere about and with.
I write about wounds, the eternal treasons of life. It's not very funny, but it's sincere. My commitment is to sincerity.
I think it's important to be sincere. And I could be the most sincere just staying in [my] mother language actually. And that's the reason why I stay composing and writing in French.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
I'm a designer, and I work very hard at that. People sometimes want to put down fashion by saying it's frivolous or superficial, but it's not that way at all. It's actually very hard work.
One doesn't stay in a state of nirvana by hiding from difficulties. You stay in nirvana by lavishing nirvana on everyone you meet, by giving it away as fast as you receive it.
When Nirvana hit it big, it was overwhelming because we were part of the counterculture. Nirvana didn't go to the mainstream - the mainstream came to Nirvana.
Do we, as humans, having an ability to reason and to communicate abstract ideas verbally and in writing, and to form ethical and moral judgments using the accumulated knowledge of the ages, have the right to take the lives of other sentient organisms, particularly when we are not forced to do so by hunger or dietary need, but rather do so for the somewhat frivolous reason that we like the taste of meat? In essence, should we know better?
The original outline for 'Mississippi Grind' was actually an attempt to go funny. But when we showed it to people we realized that maybe it wasn't as funny to other people as it was to us - we have a pretty specific sense of what's funny - and then we thought, O.K., we need to do this more like we would actually make one of our movies.
I think that argument is completely morally bankrupt, and I think people know that when they make it. There's a very big difference between having a sincere, passionate interest in a topic and being a paid shill. Particularly for PR firms, it's something they should really very strongly avoid: ever touching an article.
Comedy - particularly the frothy and frivolous - is notoriously neglected by festivals and awards. But it's bloody hard to get right.
I think poshness is very funny! But I think it's also delightful. There's something wonderful and very innocent about it, particularly with the Edwardians.
Before 'Sunny' came along, I would audition and do chemistry reads with very funny actors. And then they would cast someone who was beautiful and benign. I don't think that very funny men wanted to headline with very funny women. They wanted to be the funny ones, and they wanted the wife to be the wife. That was very frustrating.
This site uses cookies to ensure you get the best experience. More info...
Got it!