A Quote by Frederick Lenz

The world is always ending and always beginning at every moment. — © Frederick Lenz
The world is always ending and always beginning at every moment.
There's always a party ending every day but also a new one being made. They are just chapters in our lives, ending and beginning.
The only joy in the world is to begin. It is good to be alive because living is beginning, always, every moment.
I always rewrite the very beginning of a novel. I rewrite the beginning as I write the ending, so I may spend part of morning writing the ending, the last 100 pages approximately, and then part of the morning revising the beginning. So the style of the novel has a consistency.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
Every ending is a new beginning. Through the grace of God, we can always start again. (Page 120.)
Life always gives us exactly the teacher we need at every moment. This includes every mosquito, every misfortune, every red light, every traffic jam, every obnoxious supervisor (or employee), every illness, every loss, every moment of joy or depression, every addiction, every piece of garbage, every breath. Every moment is the guru.
The world is always ending for someone. It’s a good line. I give it to the father of the child. He says it to his wife. ‘The world is always ending for someone,’ he says. She is trying to quieten the baby, and does not hear him. I doubt that it would matter if she did.
In every phenomenon the beginning remains always the most notable moment.
Every sunrise gives you a new beginning and a new ending. Let this morning be a new beginning to a better relationship and a new ending to the bad memories. Its an opportunity to enjoy life, breathe freely, think and love. Be grateful for this beautiful day.
You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
I always know more about the ending, even the aftermath to the ending, than I know about the beginning. And so there's a construction that works from back to front.
What comes to me always is a character, a scene, a moment. That's going to be the beginning. Then, as I write, I begin to perceive an ending. I begin to see a destination, although sometimes that changes. And then, of course, there's the whole middle section looming.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
Every parent knows this moment in a child's age when he or she needs your attention in a very specific way because it's the beginning and ending of the early life of imagination. It's such a responsibility.
Beginning with Santa in infancy, and ending with the Tooth Fairy as the child acquires adult teeth. Or, plainly put, beginning with all the possibility of childhood, and ending with an absolute trust in the national currency.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
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