A Quote by Frederick Lenz

When you combine a media - bent on exploiting tabloid-type stories to boost ratings and circulation by innuendo and titillation - with unhappy or opportunistic individuals who have nothing going for them in their own lives, you get a bitter brew.
There are those who believe a liberal or a conservative bias permeates the media. I don't. The operative press bias is one that favors conflict, not ideology, and it is lashed by a market-driven bias to boost ratings or circulation with more wow stories, more sizzle.
First of all, tabloid stories are some of the richest and most important stories that we have. There's nothing wrong, per se, with tabloid stories.
I think, ironically, the media's been good for America, but Trump's been good for the media. He's revitalized The New York Times and CNN - it's never had so much integrity and so much power ever, and that's because being attacked by constant authoritarians and fascists with an agenda has actually got them to sharpen up and to get back to base principles about what the media should actually be. It's also that the circulation boost has removed this horrible, incipient commercial pressure that compromises media.
News media stimulate bubbles, since stories about them boost their audience.
I get ratings. If I didn't get ratings, they [media] wouldn't do it. They don't care about poll numbers, they only care about ratings.
One writes what one lives, even if not in a literal way. Someone who has gone through an unhappy love tends to describe unhappy loves, even if they have nothing to do with their own.
Their constant yelping about a free press means, with a few honorable exceptions, freedom to peddle scandal, crime, sex, sensationalism, hate, innuendo and the political and financial uses of propaganda. A newspaper is a business out to make money through advertising revenue. That is predicated on the circulation and you know what circulation depends on.
I think that cinema and the arts are central in our lives because we grow up and learn about the world through our exposure to stories. Parents use them as a tool to teach their children fundamental truths and values, much as adults can view them to gain exposure to cultures and individuals that they'd never be able to view in their own lives.
Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
We've all seen the media endlessly focus on the personal lives of celebrities. Most of it is gossip and tabloid fodder.
We know we cannot defend to be kind to animals until we stop exploiting them - exploiting animals in the name of science, exploiting animals in the name of sport, exploiting animals in the name of fashion, and yes, exploiting animals in the name of food.
The only thing that matters to me about my stories is that they're entertaining and they're funny. And I tend to get bored easily, so I generally throw something supernatural in. I would say they're humorous novels that have a supernatural bent, but that's as close as you're going to get to fitting them all in the same basket.
Contrary to many of the rumors and innuendo in circulation, I wholeheartedly believe that Obama views Israel's security as absolute.
Contrary to many of the rumors and innuendo in circulation, I wholeheartedly believe that Obama views Israels security as absolute.
We understand ourselves through stories, by making stories out of our lives. Storytellers give people structure with which they can begin to look at their own lives and try to make sense of them.
It had that comfortably sprung, lived-in look that library books with a lively circulation always get; bent page corners, a dab of mustard on page 331, a whiff of some reader's spilled after-dinner whiskey on page 468. Only library books speak with such wordless eloquence of the power good stories hold over us, how good stories abide, unchanged and mutely wise, while we poor humans grow older and slower.
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