A Quote by Frederick Lenz
I feel that there's a certain danger in always being in a lovely rural setting. You can lose touch.
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Most of my books are set in the American Midwest, where I have always lived. Midwesterners are lovely, down-to-earth people. The luxury of choosing this region as a setting is the endless supply of seasonal change images that accompany it; in addition to, the wide variety of settings, urban and rural, to choose from.
If you lose touch with nature you lose touch with humanity. If there's no relationship with nature then you become a killer; then you kill baby seals, whales, dolphins, and man either for gain, for "sport," for food, or for knowledge. Then nature is frightened of you, withdrawing its beauty. You may take long walks in the woods or camp in lovely places but you are a killer and so lose their friendship. You probably are not related to anything to your wife or your husband.
When you lose touch with inner stillness, you lose touch with yourself. When you lose touch with yourself, you lose yourself in the world. Your innermost sense of self, of who you are, is inseparable from stillness. This is the I Am that is deeper than name and form.
It's a certain kind of human compact that obviously you lose as soon as there is a screen and a camera there, so I think we'll always have theater. I think theater will always be a powerful force because we need that human touch, particularly as we spend more and more time with machines, cell phones, computers we start to lose our humanity.
I think we've done a pretty good job staying in touch with the American people. But at a certain point you can't help but lose some feel for what's on the ground because you're not on the ground.
Rural poverty happens because people aren't being paid to take adequate care of their places. There's lots of work to do here. And you can't afford to pay anybody to do it! If you depress the price of the products of the place below a certain level, people can't afford to maintain it. And that's the rural dilemma.
That's the danger of having too much success. You lose that magic, that feeling of not being in control, which I feel now, it's too controlled.
Even Bollywood films set in rural areas have music with a western touch. So, this has resulted in listeners losing touch with their cultural roots.
The capacity to create [visual] effects in the computer has made the job easier, but it has also introduced the complexity that you can with a few more keystrokes generate such a busy canvas that the eye doesn't know where to go. You lose human scale on an event and you're just wowed by the kinetics and the visualization. But, often in those cases I feel you lose touch with the human characters and what it is that they would feel and how they might feel, and that's still the most important part.
As far as my experience goes one is automatically in touch with the higher spiritual, it is connected to a certain level that interpenetrates our total physical and psychic existence. We are always in touch with it.
It's nice to be recognized, but at the same time, there are always consequences. You may get fame, but you lose anonymity. You lose a certain sense of who you are.
If you lose touch with nature you lose touch with humanity.
Growing up in a rural setting in Minnesota, I was raised with the outdoors and a sense of adventure.
The two divinest things this world has got,A lovely woman in a rural spot!
Never forget that life can only be nobly inspired and rightly lived if you take it bravely and gallantly, as a splendid adventure in which you are setting out into an unknown country, to face many a danger, to meet many a joy, to find many a comrade, to win and lose many a battle.
The soldier is convinced that a certain indefinitely extendable time period is accorded him before he is killed, the burglar before he is caught, men in general, before they must die. That is the amulet which preserves individuals — and sometimes populations — not from danger, but from the fear of danger, in reality from the belief in danger, which in some cases allows them to brave it without being brave. Such a confidence, just as unfounded, supports the lover who counts on a reconciliation, a letter.
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