A Quote by Frederick Lenz
Self-discovery is a very advanced art. What we're doing basically is screwing around with what you're made up of. We're taking awarenesses, feelings, ideas and impressions and changing them.
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A person is made up of awarenesses. All the awarenesses that have ever been our will ever be exist like barges floating in the ocean.
When we are very young children we know how to feel. It's innate. But as we lead a lifetime, we pick up so many thoughts, impressions, feelings, and ideas, that our sensitivity goes away.
I'm very wary with impressions - I don't think I'm very good at impressions, I hate doing them.
Meditation is the art of transforming madness into Buddhahood. Meditation is the art of taking you beyond logic and yet keeping your sanity intact. Meditation is the greatest discovery ever made, and I don't think there is ever going to be another discovery which can surpass meditation.
Popper and Nabokov are very different people in some ways - and I'm ready to devote large chunks of my life to both of them. Popper didn't think much of words but thought ideas mattered, and Nabokov didn't think much of ideas, but words mattered, and so on. But both of them had a sense that this is a world of infinite discovery, unending discovery. That quest to discover more in any direction is what I think drives me, and what drives humans, when they're doing the most interesting things.
I am very interested in the enlightenment of women. Very few teachers of advanced self discovery work with women, and if they do it's usually in a very second handed way. They treat women as second class citizens.
I'm always changing things around. I have to change it all the time. I'm rearranging furniture and taking down paintings and putting up new ones, and buying new pieces of art.
Self-discovery is realistic. It's not built on ideas and philosophies. It's what works. Philosophies are nice if you like philosophies. But self-discovery is predicated on something that really brings you into enlightened states of mind.
I've always been into subcultures. In the '50s and '60s, what Pierre Molinier was doing was super subculture - he was taking self-portraits, it was very private, very intimate. I think that's actually how I started my drag - in my bedroom, taking MacBook self-portraits.
I see no good reason why the views given this volume [The Origin of Species] should shock the religious feelings of any one. It is satisfactory, as showing how transient such impressions are, to remember that the greatest discovery ever made by man, namely, the law of attraction of gravity, was also attacked by Leibnitz, 'as subversive of natural, and inferentially of revealed, religion.'
Love is a cognitive, willful act. Feelings have very little to do with it, particularly around three o'clock in the morning when the baby needs changing or somebody has "lost it" before getting to the bathroom to throw up.
The acts of the mind, wherein it exerts its power over simple ideas, are chiefly these three: 1. Combining several simple ideas into one compound one, and thus all complex ideas are made. 2. The second is bringing two ideas, whether simple or complex, together, and setting them by one another so as to take a view of them at once, without uniting them into one, by which it gets all its ideas of relations. 3. The third is separating them from all other ideas that accompany them in their real existence: this is called abstraction, and thus all its general ideas are made.
A lot of the Google inventions came from engineers just screwing around with ideas. And then management would see them, and we'd say, 'Boy, that's interesting. Let's add some more engineers.'
Women have been denied access to advanced methods of self discovery throughout the ages.
Many people don't know about the power of good feelings, and so their feelings are reactions or responses to what happens to them. They have put their feelings on automatic pilot, instead of deliberately taking charge of them.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
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