A Quote by Frederick Lenz

You can simulate perfection, but it's not the same. Some one can do a copy of Rembrandt, but it's not a Rembrandt. It doesn't have the vibration or the power. — © Frederick Lenz
You can simulate perfection, but it's not the same. Some one can do a copy of Rembrandt, but it's not a Rembrandt. It doesn't have the vibration or the power.
Art is not made only one way, art is a point of view? Rembrandt in our days would be Rembrandt again, because the work of the master is his self. But in order to be Rembrandt in ourdayshe would have used new ways that would give a new culture.
For every wacky postcard, there's a million people waiting to buy it, and for every $10 million of those things, there's one Rembrandt. Purposely, I think I want to aim at doing something that a lot of people won't like. I'm just worried that it looks like I've compared my work with Rembrandt. "Gervais says he's better than Rembrandt!".
The same God who created Rembrandt created you, and you are as precious in God’s sight as Rembrandt or anyone else.
I don't think there's an illustrator who's as good as a Titian or a Rembrandt... but then, Rembrandt was a bit of an illustrator on the quiet, you know?
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
A friend of mine says his two favorite artists are Picasso and Rembrandt. Picasso because he paints the beautiful in such an ugly fashion. And Rembrandt because he paints the ugly so beautifully.
There is a childlike side in the work of the Dadaists, Klee, Miró, Calder and Picasso. I am trying to make things that are very, very serious, and what comes out of it is things that are quite friendly, gay, and sometimes even amusing. [Chaim] Soutine tried to work like Rembrandt, and yet there is nothing of Rembrandt in his pictures.
If I owned a Rembrandt and it had some dull colors, I don't think I'd go put reds and yellows in there just to brighten it up. I feel the same way about old golf courses. When you have a masterpiece, I sure wouldn't tinker with it.
Some people are drawn to a van Gogh or a Rembrandt. Some are attracted to exotic guns. Coins. Stamps. I am attracted to cars.
I recommend that you should work actively... and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even Chardin, where he is an artist. Study very closely their dabbing manner of execution and try to copy a small piece of canvas, just one square inch.
Remembrance, like Rembrandt, is dark but festive. Remembered ones dress up for the occasion and sit still. Memory is a photo-studio de luxe on an infinite Fifth Power Avenue.
I have had three masters, Nature, Velasquez, and Rembrandt.
In a burning building I would save a cat before a Rembrandt.
I would have liked to be - indeed, I should have been - a second Rembrandt.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
Rembrandt's first name was Beauregard, which is why he never used it.
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