A Quote by Frederick Lenz
Go through every closet in your house in every room.
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Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
There is an Indian proverb that says that everyone is a house with four rooms, a physical, a mental, an emtional, and a spiritual . Most of us tend to live in one room most of the time but unless we go into every room every day, even if only to keep it aired, we are not a complete person.
It's different to have your head coach be in the offensive meeting room going through every play, every detail to every guy, telling them why they need to run this way or what this concept is.
Whoever you are, go out into the evening, leaving your room, of which you know every bit; your house is the last before the infinite, whoever you are.
The eye of God! Think of that. Everywhere, in every house, in every field, in every room, in every company, alone or in a crowd, the eye of God is always upon you.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
You are life, inventing form. No more can you die on sword or years than you can die on doorways through which you walk, one room into another. Every room gives its word for you to speak, every passage its song for you to sing.
Every day I learn something new, and, you know, you go through life's experiences, and if you can bring every experience at some point somewhere in every drama or every story that you have to portray, you will come across an emotion or a feeling you have had some point in your life.
Time to leave now, get out of this room, go somewhere, anywhere; sharpen this feeling of happiness and freedom, stretch your limbs, fill your eyes, be awake, wider awake, vividly awake in every sense and every pore.
Every Cuban has a house to live in, no matter how meager. That house is provided by government. Every Cuban who gets sick can go to a doctor or a hospital and get medical attention while 45 million Americans don't have medical insurance. Every Cuban can get education from the kindergarten through college and they don't have to pay. What is Castro doing that we might benefit from-if we are not too arrogant and falsely proud to see what he is doing in a small nation and what we have not been able to do or not been willing to do in the greatest nation on the earth?
Everybody's got skeletons in the closets. Every once in a while, you've got to open up the closet and the let the skeletons breathe. Half the time, the very thing you think is gonna destroy you or ruin you is the very thing that nobody cares about. My advice to people with skeletons is to dust them off every now and then-- as long as your closet's aint full of them. It's not good to have more than two or three.
Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room.
You may concentrate on appearances all through the rest of your house, but in the bedroom comfort should be supreme. I think that bedrooms should also be very intimate rooms-they should express your personal preferences in every way...Of all the rooms in the house your bedroom is yours.
If you have your attention on what is see its fullness in every moment you will discover the dance of the divine in every leaf in every petal in every blade of grass in every rainbow in every rushing stream in every breath of every living being. ...beyond memory and judgement lies the ocean of universal consciousness.
Sometimes you go into a waiting room, and the audition room is right there, and the walls are extremely thin. And you can hear every breath that they're saying. And you're used to that. So you go in, and you're like, 'Oh, whatever.'
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