A Quote by Frederick Lenz
You're not the doer. What's to do? You can't undo what's not done. It's all one anyway, why think about it? But you need to discriminate, so you'd better think about it.
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I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you can make music in studios, music doesn't have to be made as a real-time experience. But now you see the results of that in people who are completely crippled unless they know that they have the possibility of "cut and paste" and "undo." And "undo" and "undo" and "undo" and "undo" and "undo" again.
I think people are uncomfortable talking about the racist history of this country and what we need to do to undo the impact of racism.
I think what happens is that you do the project first, then you think about what it's about. Years later, you figure out why you've done things.
Testimonies are great things about what the Lord has done for us, but no-one will be offended when you talk about what God has done for you. You need to be specific about sin, about Christ's death on the cross, about others' need for a saviour, and about their need to repent and trust in Christ.
I think it's very important to have a feedback loop, where you're constantly thinking about what you've done and how you could be doing it better. I think that's the single best piece of advice: constantly think about how you could be doing things better and questioning yourself.
If you think back , the Academy was doing a better job. Think about how many more African Americans were nominated.We need to get better at this. We used to be better at it.
I think when people think of music from coming from Oklahoma, they think of Toby Keith or even Garth Brooks or even Woody Guthrie. People think, "Why do we have to just be about the Bible and about football? Why can't we be about something like the Flaming Lips?" And I salute them! I say, "Well, that's great if you want that."
People think stars never have any problems or cares. That's bull. Why would we show any more than one mask to the public. There's a whole lotta things I've done that I don't want to think about. But I bring it all right out when I need it for a role.
The great thing about Stephen is that he sees the movie as a separate thing, I think. He wants it to capture the essence of the book, and if he feels that's been done, then he's not too particular about the details. I think that's why he's happy.
I close my eyes and I take a deep breath and I think about my life and how I ended up this way. I think about the ruin, devastation and wreckage I have caused to myself and to others. I think about self-hatred and self-loathing. I think about how and why and what happened and the thoughts come easily, but the answers don't.
I need to get better as a player, I need to get fitter, and I need to get better on the mental side. It's exciting for me, because there's so much I could do better. I don't feel like I've really maxed out any shot. People talk about my serve, but I think that can even get better.
I think what's dangerous about marriage is the way it can make you feel like you've got it all wrapped up. Like you're done: you've found your spouse, you've married him or her, and you don't need to think too much more about it.
I think that it is too common for white feminists to say, 'We want some diversity. Come join our movement about gender, but we want you to check the class and race at the door.' And you can't undo that braid of race, class, and gender: all three intersect with each other, so it's important for more education to be done about that.
I am a nonbeliever myself. But I think there's so much about religion that is not factual in nature as to why people engage with it and what it means to them. You can debunk why you think there's no physical evidence for God and why the story of Jesus didn't really happen that way and stuff like that all the live-long day, and it's not going to make a difference to what role religion has in people's lives and how they feel about it and how it makes their lives better or worse.
When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
"You are a boy," said Mr. Dombey, suddenly and almost fiercely; "and what you think of, or affect to think of, is of little consequence. You have done well, Sir. Don't undo it."
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