A Quote by Frederick Lenz
Sex is a highly personal matter, yet it seems to get more impersonal all the time. How do I feel about sex? I suppose it matters with whom.
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In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
If you had a daily printout from the brain of an average twenty-four-year-old male, it would probably go like this: sex, need coffee, sex, traffic, sex, sex, what an asshole, sex, ham sandwich, sex, sex, etc
I hesitate talking about a program for change because we're in this moment where no one is listening to sex workers about how things should change. So I'm even speaking less as a former sex worker and more as a person trying to see the bigger picture that might be hard to see when you're doing sex work full-time, or running a social service organization, or doing all the things that a lot of sex worker activists are doing. It's hard work, and they don't necessarily get the time to step back and see the whole picture.
That's what Jamie didn't understand: it was never just sex. Even the fastest, dirtiest, most impersonal screw was about more than sex. It was about connection. It was about looking at another human being and seeing your own loneliness and neediness reflected back. It was recognising that together you had the power to temporarily banish that sense of isolation. It was about experiencing what it was to be human at the basest, most instinctive level. How could that be described as just anything?
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
Does sex education encourage sex? Many parents are afraid that talking about sex with their teenagers will be taken as permission for the teen to have sex. Nothing could be further from the truth. If anything, the more children learn abour sexuality from talking with their parents and teachers and reading accurate books, the less they feel compelled to find out for themselves.
No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you're not superior to sex. It's a very risky game.... It's sex that disorders our normally ordered lives.
Sex is. There is nothing more to be done about it. Sex builds no roads, writes no novels and sex certainly gives no meaning to anything in life but itself.
Sex criminals. Completely incurable... I suppose you could outlaw religion and these sex crimes would disappear in a generation or two, but we don't have time for rational solutions.
In the sex education process in schools, the one thing that they teach about is how to get pregnant and how to not get pregnant. But they don't really talk about sex as a point of pleasure for women.
Kids need to be educated about sex and sexuality and if they're going to have sex, learn how to protect themselves and not get pregnant.
After being alive, the next hardest work is having sex. Of course, for some people it isn't work because they need the exercise and they've got the energy for the sex and the sex gives them even more energy. Some people get energy from sex and some people lose energy from sex. I have found that it's too much work. But if you have the time for it, and if you need that exercise-then you should do it.
But you know the difference between sex and love. And sex can be part of love, but what moves your heart, what's really intimate, that's the real spirit. And that's very personal, it's also transpersonal. It's not impersonal, it's beyond any of us, it's transcendent of any of us, yet imminent in dwelling, imminent to each of us.
[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.
Sex is hard to write about because you lose the universal and succumb to the particular. We all have our different favorites. Good sex is impossible to write about. Lawrence and Updike have given it their all, and the result is still uneasy and unsure. It may be that good sex is something fiction just can't do - like dreams. Most of the sex in my novels is absolutely disastrous. Sex can be funny, but not very sexy.
When you're young and you get to choose between sleep and sex you take sex everytime. You start getting older, you get to choose between sleep and sex, you choose sleep and just hope you have a dream about sex.
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