A Quote by Frederick Lenz

When you think about something, you separate yourself from it. — © Frederick Lenz
When you think about something, you separate yourself from it.
My actual experience is not different. It is my evaluation and attitude that differ. I see the same world as you do, but not the same way. There is nothing mysterious about it. Everybody sees the world through the idea he has of himself. As you think yourself to be, so you think the world to be. If you imagine yourself as separate from the world, the world will appear as separate from you and you will experience desire and fear. I do not see the world as separate from me and so there is nothing for me to desire, or fear.
You think of yourself as an "individual person", with a unique and separate mind. You think you are born and you think you die. All your life you feel separate and alone. Sometimes desperately so. You fear death because you fear the loss of individuality. All this is an illusion. You, he, she, those things around you living or not, the stars and galaxies, the empty space in between- these are not distinct, separate objects. All is fundamentally entangled.
I think it's vital to be honest with yourself. You do have to satisfy yourself first. If you're drawing something, you have to ask yourself if it's something you genuinely think is funny. Or is it starting to fall into just a category, just kind of a shtick thing? I think it's important for all cartoonists to be honest with themselves about their own sense of humor and what they're doing.
I could never adjust to the separate waiting rooms, separate eating places, separate rest rooms, partly because the separate was always unequal, and partly because the very idea of separation did something to my sense of dignity and self-respect.
As a storyteller, you have to have something to say. You have to look at the world, think about it in relationship to yourself, and say, 'I think this is a pattern,' or 'I think this is the way fatherhood works,' or 'I think this is the way first love feels.' The danger in that is, that's when you open yourself up to real critique.
That's something I have to work on: to separate what really matters, to conserve energy by not worrying about what other people think.
I don't think Roger Dodger is really about men. I think it is more about relationships and about how you present yourself, not only to the opposite sex, but to yourself. What lies are you going to tell yourself in order to get through the day?
In making a web video series number one, you need to have a script that you think is really funny, and it's true to yourself. I think some people use things as a stepping stone, and they want to please people and show them, "Hey, I can do hip guys in Judd Apatow style," and it's not true to them. If there's something you know about, like motorcycles, do something about motorcycles first. Do something that's really true to yourself and find a voice, and make the script as good as possible.
George Clooney likes to talk about himself in the third person mostly. He's always enjoyed it. Listen, I don't like to think in those terms, where you just have to completely separate yourself one from the other.
Sometimes they threaten you with something - something you can't stand up to, can't even think about. And then you say, Don't do it to me, do it to somebody else, do it to So-and-so. And perhaps you might pretend, afterwards, that it was only a trick and that you just said it to make them stop and didn't mean it. But that isn't true. At the time when it happens you do mean it. You think there's no other way of saving yourself, and you're quite ready to save yourself that way. You WANT it to happen to the other person. You don't give a damn what they suffer. All you care is yourself.
One of the first things I think young people, especially nowadays, should learn is how to see for yourself and listen for yourself and think for yourself. Then you can come to an intelligent decision for yourself. If you form the habit of going by what you hear others say about someone, or going by what others think about someone, instead of searching that thing out for yourself and seeing for yourself, you will be walking west when you think you're going east, and you will be walking east when you think you're going west.
You can't will something into being. If you follow that philosophy all the way, to will something into being, that's animal style. That's what man does. But if you're looking at the philosophy correctly, and I never did - I like to think I did sometimes - you have to do it without ego, without the I. You have to separate yourself.
As an actor, I think it's always important to separate yourself from your characters because, when you include yourself in a character, you're taking a liberty that you don't really have unless you're life is that incredibly close to the character.
I think it's about creating a brand for yourself and making sure that you're known, and that people know you for who you are. How do you do something that represents you and translates everything that you represent as a person and as a player? I think that's something that we all develop.
I think your tendency when you play yourself is to accentuate something about you that you think is the funny thing about you.
Screenwriting is definitely the majority of my time, but I do still act when stuff comes up. I do a few jobs a year.People ask me that all the time about written something for yourself to star in, and it's strange. I just approach it as two separate careers.
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