A Quote by Frederick Lenz
Pass the popcorn, please. Life is a film, theatre, a theatre of the soul. We play different roles on different stages. At death, we walk offstage. At birth, we walk onstage.
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There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.
I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
I was interested in theatre and media and came to Mumbai to get a job. I imagined that the film industry would be a white building with producers sitting in different rooms, and you could walk in and meet them, and they would interview you and select you.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
My first professional job was with Berkeley Repertory Theatre. I started out in an educational touring play and eventually starred on their stages. That was the theatre that nurtured me to expand as an artist.
Onstage, it was always comfortable for me, because that's where I felt at home. Offstage, it was a different situation. I was still shy offstage.
In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily.
I am a woman of theatre, I'm a librarian of theatre and I love all different kinds of music and all different kinds of expressions.
I realized after my first play that no one was going to offer me roles for theatre. So I started my own theatre company even though I was in deep debt in 1988.
I was into theatre in school and college with theatre personality Barry John, who has also trained Shah Rukh Khan. Then I joined the Elite modeling agency - they have different courses including grooming, modeling and theatre workshop. I was selected for modeling.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
From offstage until the moment I walk onstage, I constantly tweak my talk show and 'Top Model', but at the same time, I often leave my private life by the wayside.
I've come from theatre and you have different productions of a text in theatre. It's not unusual.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
With theatre, you can interpret the most complex play on stage for it have meaning to an audience because you're dealing in images, you're dealing in action, you can use different idioms to interpret and clarify something which is obscured in the reading and of course there are different kinds of play, there are mythological plays, there are what I call the dramatic sketches, direct political theatre which is virtually everybody, but I find that you can use the stage as a social vehicle, you know, which any kind of audience.
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