A Quote by Frederick Lenz
As a sensitive person around other people, you feel their desires, you feel their angers, and you feel their frustrations. You begin to believe that these desires, angers, and frustrations are yours.
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The path to realizing our dreams is never smooth. Invariably we encounter bends, turns, detours, and roadblocks. Sometimes our frustrations make us want to give up the journey, but frustrations signal the need to pause for introspection and redirection. Frustrations are promptings from God to search our souls even more deeply to find our power and purpose, and to live it. Frustrations tell us that our thoughts and actions are not yet in harmony with our desires.
Some come to a teacher for power. They still have all the desires, angers and jealousies of an unevolved person. Consequently, they become destructive both to themselves and to others.
Satanism encourages its followers to indulge in their natural desires. Only by doing so can you be a completely satisfied person with no frustrations which can be harmful to yourself and others around you. Therefore, the most simplified description of the Satanic belief is: indulgence instead of abstinence.
In college, I'd gone abroad to get away from a campus where I felt I didn't fit in. And I started writing fiction, at least in part, because it was a way to feel like I was around people, to feel the energy and hum of others' inner lives, without the real-time frustrations and difficulties of actual relationships.
Physically it's kind of lassitude, the apathy and tiredness that precedes the flu or some other illness, or death. My legs ache and feel heavy, my skin has become more sensitive to cold and to heat, to the hardness or rigidity of things. Nothing interests me, I feel uncomfortable being still but would feel even more uncomfortable if I moved. I don't know whether speaking is painful or just boring. I sit here, staring straight ahead, with no desires, no needs, hollow. I'm not even sad. I feel only passivity and indifference.
The thing that bubbles up the most when I'm around other people is that I feel a joy of being alive. But I also am a very sensitive person and have many heavier feelings. It can be tiresome after a while to only do comedy, especially after you grow as a person. It starts to feel like you're playing an older version of yourself.
Mr. Trump has tapped into the frustrations of many Americans who feel the effects of a dismal economy and believe the political system is rigged and owned by the establishment.
I think people of all occupations, whether it's the camera - puller or the man who's doing the catering, they can identify with Rambo's frustrations, with the veteran's frustrations.
Our modern Western culture only recognises the first of these, freedom of desires. It then worships such a freedom by enshrining it at the forefront of national constituitions and bills of human rights. One can say that the underlying creed of most Western democracies is to protect their people's freedom to realise their desires, as far as this is possible. It is remarkable that in such countries people do not feel very free. The second kind of freedom, freedom from desires, is celebrated only in some religious communities. It celebrates contentment, peace that is free from desires.
When we focus mostly on our immediate needs, wants, and desires, we may achieve some of them but hardly feel satisfied. When we feel connected to ourselves on a deeper level, we get happy. We feel safe.
The average person is full of artificial desires, desires that have been suggested by what other people possess or require.
I adore doing classic adaptations, but I also feel their frustrations and their limitations.
When our desires are fulfilled, and we still feel unhappy - this is the moment we begin the process of letting go.
The condition of humankind is not good, in the sense that the illusory prisons we create for ourselves through our desires and our frustrations are unhappy.
"Externality" is a different phenomenon from akrasia and doesn't always come with it. The set of desires and actions from which one feels alienated isn't always the same as the set of desires and actions of which one disapproves. It has been pointed out that you can disapprove of something inside yourself but still experience it as yours ("damn it, here I go again!"). In addition, you can approve of something inside yourself but feel like it's not yours ("when the emergency sirens went off, it was as if someone calmer and more reasonable took over and knew just what to do").
So if there was a way that I knew something about my character's desires or the things that they were resisting because I was saving it for some grand epiphany moment for my readers, I just feel like that's when you can feel the machine at work in a story. That's when you can feel the writer pulling the strings of the puppet.
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