A Quote by Frederick Lenz

They have said this is a lower level. Ridiculous! They're really both the same light, just two different forms. — © Frederick Lenz
They have said this is a lower level. Ridiculous! They're really both the same light, just two different forms.
All forms are complex once you get to a really high level, and jazz and hip-hop are so connected. In hip-hop, you sample, while in jazz, you take Broadway tunes and turn them into something different. They're both forms that repurpose other forms of music.
I said, suppose you take a light - I was thinking of just light bulbs because, in those days, lasers were not yet really there - and sent a light pulse between two masses. Then you do the same when there's a gravitational wave. Lo and behold, you see that the time it takes light to go from one mass to the other changes because of the wave.
The artist's experience lies so unbelievably close to the sexual, to its pain and its pleasure, that the two phenomena are really just different forms of one and the same longing and bliss.
In art, and maybe just in general, the idea is to be able to be really comfortable with contradictory ideas. In other words, wisdom might be, seem to be, two contradictory ideas both expressed at their highest level and just let to sit in the same cage sort of, vibrating. So, I think as a writer, I'm really never sure of what I really believe.
I think the most remarkable thing about ice, in my opinion at least, is that it occurs in many, many, many different forms. Most solids occur in typically one or maybe two or three different forms, and ice has approximately 15 different crystal forms, as well as two forms that are called amorphous, which means without any shape at all.
There are two different ways of looking at the universe; and it's the same universe with two different windows. The science window gives you a view of the world, and the religion window gives you a totally different view. You can't look at both of them at the same time, but they're both true.
Producing and deejaying are two different outlets to the same creativity. When I'm in the studio I get to create and go through my process. When I'm on stage I get to share the results of that process with everybody. It's two different experiences but they both go back to the same thing and I love them both.
I have two friends named Matt. They're both scouts in the cavalry. They both served in the same section of Iraq. They both worked with the same Iraqi translator. And yet, if you talk to them, their stories couldn't be more different, because one was there in 2006. One was there in 2008.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
George: [On the 'Two Virgins' cover] 'What I thought of the sleeve then was the same as I think now: it's just two not-very-nice-looking bodies, two flabby bodies naked. It's harmless, really - different strokes for different folks.
Apart from the first set - which used high-level concert lighting - once you stepped into the two narrative pieces, we were working with lower-level theatrical lights. In most cases, people were really respectful of that.
My husband and I had the opportunity to write some stuff for other people. We both tried it. I think it lasted about two weeks, and we both felt ridiculous. It just didn't work for us.
I'm trying to get a lower center of gravity. I think, when I play at a lower level, it helps my overall game, just my explosiveness to the rim with the ball in my hands. When I play with a lower center of gravity, my legs are always in my shot instead of playing vertical out there where I don't get the same explosion or legs into my shot.
An Australian girl size 12 and a Swedish girl size 12 are completely different, just because of the way they're formed. It's becoming this worldwide movement because people are getting it. We all have two different parents; we're not supposed to look the same. It's ridiculous.
Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
Higher thought forms trump lower ones. In the presence of a high frequency of human consciousness, all lower thought forms ultimately drop of their own dead weight.
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