A Quote by Frederick Salomon Perls
I wonder why people use only walls for hanging pictures.
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When I started working at Pictures On Walls, I'd been hanging out with Banksy for a few years travelling around the world together painting stuff, and then we moved into a new office and wanted to do screenprinting.
The one thing I never get involved with is selecting art or pictures for a client. This is a very personal thing. If the clients have pictures, I will hang them. When they do not own pictures I leave the walls blank.
I'm a big believer in doing things that make you uncomfortable. So, we live in a world where we want to be as comfortable as we can. And we wonder why we have no growth. We wonder why - when the smallest thing in our life gets difficult - we wonder why we cower and we run away.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
I don't collect art at all. I'm fascinated by art. I receive a lot of presents. My house is full of things, but I am not a collector; it's just that people I work for, and friends, give me a lot of things. There are pictures all over the walls, sculptures, mobiles and paintings. I am embarrassed because I wonder what I should do with them.
When you walk in the front of the White House, the pictures on the walls, they change out pretty frequently. They're all very cool and historical, with pictures from the current term and past terms.
Kids today aren't listening to music audio-only. They're picking up a CD and looking at the lyric sheet and wondering why the pictures aren't moving around. Who wants to do that? It's like Bam Bam Flintstone hanging with the dinosaurs vs. Elroy Jetson who's flying around space. If I'm a kid, I wanna be kicking it with Elroy.
I think people remember pictures not dialogue. That's why I like pictures.
Why do most great pictures look uncontrived? Why do photographers bother with the deception, especially since it so often requires the hardest work of all? The answer is, I think, that the deception is necessary if the goal of art is to be reached: only pictures that look as if they had been easily made can convincingly suggest that beauty is commonplace.
It's lame when I'm hanging out with my friends and they're so busy taking pictures to put on Facebook, instead of enjoying what they're doing. You're gonna look back and have 10 million pictures, but you're not in one of them because you were too busy clicking away. I think it's best to stop telling people about it and enjoy the moment you're in yourself.
I understood why she did it. At that moment I knew why people tagged graffiti on the walls of neat little houses and scratched the paint on new cars and beat up well-tended children. It was only natural to want to destroy something you could never have.
Aristotle said that philosophy begins in wonder. I believe it also ends in wonder. The ultimate way in which we relate to the world as something sacred is by renewing our sense of wonder. That's why I'm so opposed to the kind of miracle-mongering we find in both new-age and old-age religion. We're attracted to pseudomiracles only because we've ceased to wonder at the world, at how amazing it is.
Nothing is hanging on my walls.
One of the walls of my bedroom was a collage of about 15 years of baseball photos. I would cut out the baseball pictures from every issue and I had this huge montage of thousands of pictures.
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.
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