A Quote by Frederick Sommer
Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play.
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I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.
The world that seemed so various and new, well, it does contract. One's burning desire to investigate human behavior, and to make, or imply, statements about it, does fall off. And so one does find that early works are full of energy and also full of vulgarity, crudity, and incompetence, and later works are more carefully finished, and in that sense better literary products. But . . . there's often a freshness that is missing in later works--for every gain there's a loss. I think it evens out in that way.
I believe in poetic discourse, in the value of speech in a non-naturalistic way; it's speculative.
We must carefully consider card security solutions, such as adding photographs or machine-readable electronic strips, so to prevent further breaches of individual privacy that could result from changes to the design of Social Security Cards.
Most musicians I know don't just play music on Saturday night. They play music every day. They are always fiddling around, letting the notes lead them from one place to another. Taking still photographs is like that. It is a generative process. It pulls you along.
I think the big thing is you really have one chance to do this... to play hockey for a living, you have one chance at your career, and you have to take full advantage of it.
All outward success, when it has value, is but the inevitable result of an inward success of full living, full play and enjoyment of one's faculties.
Science is composed of laws which were originally based on a small, carefully selected set of observations, often not very accurately measured originally; but the laws have later been found to apply over much wider ranges of observations and much more accurately than the original data justified.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
Why do we have financial crises? Why do banks lose money? If history is any guide, it hasn't often been the result of speculative bets. It has been the result of banks making loans to individuals and businesses who can't pay them back.
The people like the American Legion Post that gave us a chance to play. A place to play and a chance to play.
French photography was basically poetic, and mine was vulgar and brash and violent, except that there's never any violence in the photographs: it's only in the photographic style.
It seems the more I play Jane Austen, the more poetic my writing becomes. The other day, I left a Post-it note for my husband that had the word 'ergo' on it. I gotta rein it in before I get all full out Madonnannoying.
I'm known for fashion photographs, but fashion photographs were mostly a joke for me. In 'Vogue,' girls were playing at being duchesses, but they were actually from Flatbush, Brooklyn. They would play duchesses, and I would play Cecil Beaton.
The Frenchman works until he can play. The American works until he can’t play; and then thanks the devil, his master, that he is donkey enough to die in harness. But the Englishman, as he has since become, works until he can pretend that he never worked at all.
For the most part, works of mine are untitled. There was a brief period where I had poetic titles for works, and they're embarrassing now. I think, for the most part, it's not something that I have talent for.
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