A Quote by Frederick Sommer
Choice and chance structure art and nature.
Related Quotes
For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre, rhythm, line - all the fundamental characteristics of this verbal art.
Chance is better than choice; it is more lordly. Chance is God, choice is man.
I don't think homosexuality is a choice. Society forces you to think it's a choice, but in fact, it's in one's nature. The choice is whether one expresses one's nature truthfully or spends the rest of one's life lying about it.
I like nature but not its substitutes... Mondrian opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion... Art's origins are natural.
Now nature is not at variance with art, nor art with nature; they being both the servants of his providence. Art is the perfection of nature. Were the world now as it was the sixth day, there were yet a chaos. Nat, are unconscious of the harmony of creation.
Man is a political animal by nature; he is a scientist by chance or choice; he is a moralist because he is a man.
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
Art is not a mirror but an icon. It takes the chaos in which we live and shows us structure and pattern, not the structure of conformity which imprisons but the structure which liberates,
sets us free to become growing, mature human beings.
Nature and abstract forms are both materials for art, and the choice of one or the other flows from historically changing interests.
Nature is seen by humans through a screen of beliefs, knowledge, and purposes, and it is in terms of their images of nature, rather than of the actual structure of nature, that they act. Yet, it is upon nature itself that they do act, and it is nature itself that acts upon them, nurturing or destroying them.
Our ancestors ... possessed a right, which nature has given to all men, of departing from the country in which chance, not choice has placed them.
Art is art, nature is nature, you cannot improve upon it.... Pictures should be inspired by nature, but made in the soul of the artist. It is the soul of the individual that counts.
At the dressing table, every woman has a chance to be an artist, and art, as Aristotle said, 'completes what nature left unfinished.'
The history of free men is never really written by chance but by choice; their choice!
Siphonophores do not convey the message a favorite theme of unthinking romanticism that nature is but one gigantic whole, all its parts intimately connected and interacting in some higher, ineffable harmony. Nature revels in boundaries and distinctions; we inhabit a universe of structure. But since our universe of structure has evolved historically, it must present us with fuzzy boundaries, where one kind of thing grades into another.
True ornament is not a matter of prettifying externals. It is organic with the structure it adorns, whether a person, a building, or a park. At its best it is an emphasis of structure, a realization in graceful terms of the nature of that which is ornamented
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