A Quote by Frederick Winslow Taylor

(Walls) show that politicians have reached the end of their ideas about what to do about a difficult situation with a neighbor. ... They can't think what else to do. — © Frederick Winslow Taylor
(Walls) show that politicians have reached the end of their ideas about what to do about a difficult situation with a neighbor. ... They can't think what else to do.
I think China is laughing about the results of the presidential elections. China, Russia, they all laugh about it. They see how dramatic U.S. has to be put this kind of shame on its own - cannot handle the situation. Or show such a difficulty with this liberal ideas. Men or women created equal. And to defend those very essential ideas.
I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.
On our show, I've only reached out and touched about 55 guys. I think there's still about 40 million.
I spent more than ten years working on the Neues Museum. It was a wonderful experience, an example of real collaboration between architects, conservationists, curators, client, politicians, the media, and the public. Discussions, even when difficult, were always about ideas. Ideas matter to Germans. They're a reflective people. That's attractive.
I don't even think much about politicians. I think about the people in the audience who applaud the politicians. They are your fellow countrymen and they're the ones you live with - that should be who we target for education and enlightenment.
I started using my blog to get information about cities I was about to visit, asking followers what the main problems there were. Many mentioned misconduct of politicians and other things I wanted to talk about during my shows. Then, before a show in one city, local politicians called saying they would sue if I said something unpleasant.
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation. So, the politicians and the people who make decisions very often is the one we think can make some difference. But of course they will not make a difference if the citizens or the individuals not push it or not to speak out, to possess a very strong voice about, this is not acceptable.
When you're writing on someone else's show, you don't have to think as hard about nailing the perfect tone because you're kind of just like, 'Here's 20 ideas I thought of, and they can just pick the closest.'
Aren’t we all animals at the end of the day? I like to show that side of me, but in a respectful way. I’m just expressing myself. It’s all about feeling good and confident about yourself, and not letting anyone else tell you what you can or can't do.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
We need each other's ideas. Now, I'm not talking about racist ideas or misogynistic ideas or cruel or criminal ideas. I'm talking about most of us who have very varied experiences, needs and ideas. It's really about believing that it's an important part of healing America.
I am often talking about the ideas collected in Normal Life in contexts that are not academic, or that are full of people who are not primarily engaging as theorists or theory-readers. Being able to make ideas visual, especially critical ideas about movements that can be difficult to hear because of attachments we have to certain national narratives, or because of ways that we see ourselves, is especially useful.
Ideas matter in New York. I am certain that more conversations in New York are about ideas than anywhere else. Not just vague theories, but ideas that New Yorkers have the will, and the clout, to do something about.
I believe there is a relationship between having an interest in the arts and the behaviour of society as a whole. Some politicians find it difficult that the arts is a weapon of happiness... Politics is often about deprivation rather than the opening up of ideas and nourishing creative endeavour.
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