A Quote by Frederik Pohl

Advertising reaches out to touch the fantasy part of people's lives. And you know, most people's fantasies are pretty sad. — © Frederik Pohl
Advertising reaches out to touch the fantasy part of people's lives. And you know, most people's fantasies are pretty sad.
Sometimes we are tempted to be that kind of Christian who keeps the Lord’s wounds at arm’s length. Yet Jesus wants us to touch human misery, to touch the suffering flesh of others. He hopes that we will stop looking for those personal or communal niches which shelter us from the maelstrom of human misfortune and instead enter into the reality of other people’s lives and know the power of tenderness. Whenever we do so, our lives become wonderfully complicated and we experience intensely what it is to be a people, to be part of a people.
I don't believe in tricky advertising, I don't believe in cute advertising, I don't believe in comic advertising. The people who perpetrate that kind of advertising never had to sell anything in their lives
I thought that it's so sad there are people who live their entire lives lonely. They die and no one goes to their funeral. I thought about how sad that was and how so many people out there have that path. I know this sounds weird, but if I could go take their bones back to my house and appreciate them for what they are, it would be my way of taking that loneliness away.
There is this sense of David Cameron leading a Government that's badly out of touch with ordinary people's lives. I'd absolutely welcome the opportunity to show all political leaders what life is like for most people.
I think people need fantasy, but I think they also need to know that they're not being lied to. I think sometimes the fantasy can betray people and become more difficult for people's lives than just truth. I can't stand delusion. Delusion makes me sick.
Religious people know deep down that that is the most vulnerable area of their lives, and when others question it, they are liable to hit out and feel insulted. You know it is absolutely without proof, yet people still commit themselves totally to this belief. They cannot refute it because it is so central to their lives.
I feel like I'm part of a generation of people who are stuck in the past and are really self-absorbed. I mean, we're actually taking pictures of ourselves and posting them on Facebook, and keeping in touch with people that should have been out of our lives 15 years ago.
Anyone can go online and write anything they want about people they don't even know, and most of the time, that is fueled by hate. The sad part is that people actually believe what they read online.
As athletes, it's our responsibility to help. It's easy for us to go out and affect people's lives in so many different ways. We don't even know how much we can touch people and change the direction of somebody's future.
To me, a life that doesn't change things and touch people's lives is pretty meaningless.
Most people are living lives of sort of survival. And constantly posing an existential crisis, either through fantasy or oblivion, really has been pretty much explored in rock and roll. At least in the western version of rock n' roll.
Everything's pretty consistent in the industry, you know. There's a couple of naysayers, whatever, people who don't agree. But for the most part a lot of people believe in the new class of MC's that coming to the game.
Enthusiasm reaches out with joy, for there is nothing depressing about it; it reaches out in faith, for there is no fear in it; it reaches out with acceptance, for there is no doubt in it; it reaches out as a child for there is no uncertainty about it.
You know, it's a sad and unfortunate state of affairs that you have to live in a world where eight-year-olds refuse to believe in anything that they cannot touch or measure, and anyone who happens to see a thing that is invisible to most people is immediately branded a lunatic.
That's such a big part of film scoring that people don't realize. There's a portion of film scoring that's writing the music, but a lot of it is how do you get along with the guy you're working with, how do you interpret what he wants? It's so subjective, you know? Your version of sad is probably different than my version of sad. It's my job to figure out what your vision of sad looks like.
The interesting thing is how one guy, through living out his own fantasies, is living out the fantasies of so many other people.
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