A Quote by Frederik Pohl
The future depicted in a good SF story ought to be in fact possible, or at least plausible. That means that the writer should be able to convince the reader (and himself) that the wonders he is describing really can come true... and that gets tricky when you take a good, hard look at the world around you.
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[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]
As a reader, when the writer gets sentimental, you drift, because there's something fishy going on there. You recognize a moment that's largely about the writer and the writer's own need to believe in something that might not in fact exist. As a reader, you think, 'Where did the story go? Where did the person I'm reading about go?'
Government should be good for the liberty of the governed, and that is when it governs to the least possible degree. It should be good for the wealth of the nation, and that is when it acts as little as possible upon the labor that produces it and when it consumes as little as possible. It should be good for the public security, and that is when it protects as much as possible, provided that the protection does not cost more than it brings in.... It is in losing their powers of action that governments improve. Each time that the governed gain space there is progress.
a good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.
It's been my habit of mind, over these years, to understand that every situation in which human beings are involved can be turned on its head. Everything someone assures me to be true might not be. Every pillar of belief the world rests on may or may not be about to explode. Most things don't stay the way they are very long. Knowing this, however, has not made me cynical. Cynical means believing that good isn't possible; and I know for a fact that good is. I simply take nothing for granted and try to be ready for the change that's soon to come.
You have to learn to look at someone you truly adore through eyes that really aren´t your own. It´s as if a person has to become another person altogether to be able to take a hard look. Good people protect people they love, even if that means pretending that everything is okay.
It really helped to have someone whose taste I really trusted who I knew was really smart and a really good writer. Sometimes I find it hard to judge my own work so it was good to have someone who could look at it. It was like, "Oh, she likes it, then it's good."
I think good art should always be entertaining, or at least give pleasure of some sort. And my chief goal as a writer has always been to tell a good story and give my readers a good time.
Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
Another last-minute, good-deed job,” Royce grumbled as he stuffed supplies into his saddlebag. “True,” Hadrian said, slinging his sword belt over his shoulder, “but this is at least a paying job.” “You should have told him the real reason we saved him from Trumbul— because we wouldn’t see the hundred tenents otherwise.” “That was your reason. Besides, how often do we get to do royal contracts? If word gets around, we’ll be able to command top salaries.” “If word gets around, we’ll be hanged.
There's certainly more new SF available than when I started writing. That means there's also more bad SF available. Whether there is also more good is a matter for future historians of the field.
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
The writer has to make pleasure for the reader - which, I think, is done by taking one's character's seriously and taking one's readers seriously -don't condescend or try to be tricky. Be a friend to your reader - I'd say that's a pretty good first step.
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonders of this world,
that is when, and only when we come to it
Since all of us desire to be happy, and since we evidently become so on account of our use—that is our good use—of other things, and since knowledge is what provides this goodness of use and also good fortune, every man must, as seems plausible, prepare himself by every means for this: to be as wise as possible. Right?
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