A Quote by Frederik Pohl

The big new development in my life is, when I turned 80, I decided I no longer have to do four pages a day. For me, it's like retiring. — © Frederik Pohl
The big new development in my life is, when I turned 80, I decided I no longer have to do four pages a day. For me, it's like retiring.
I used to be able to write five pages a day, every day, no problem. Now a good day is five or four pages, and that's from 9:30 A.M. until 6 P.M.
I'm not just retiring from the runway, I'm retiring from all modeling. God, I love saying that! When I was 18, my mom said I have to have a plan. I decided I'd leave on top. I want to be like the athletes who seem stuck in time. When you see them at 50, you say they probably can still run like a champ.
I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.
There are writers, and I know some of them, who are very disciplined. Who write, like, four pages a day, every day. And it doesn't matter if their dog got run over by a car that day, or they won the Irish sweepstakes. I'm not one of those writers.
I do feel kind of like I have a split identity in that there's Van Jones, who has this big public role and tries to inspire millions of people to do new stuff together. And then there's just me: a pretty quiet, shy, retiring person.
I spill it out as fast as I can. I don't really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
I spill it out as fast as I can. I don’t really edit. In Brazil, recently, I wrote 70 pages. In London, 80 pages.
I read something in the paper that really confused me the other day. It said that 80 percent of the people in New York are minorities. Shouldn't you not call them minorities when they get to be 80 percent of the population? That's a very white attitude, don't you think? I mean, you could take a white guy to Africa and he'd be like 'Look at all the minorities around here! I'm the only majority.'
I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
There is this idea that appealing to youth is the only way forward. But that is no longer the case. Youth is not everything. Now we have all the baby-boomers in their 60s, like me, who are actively engaged in life - we're not retiring, we're not just being put out to grass once we hit 60.
When knowledge passes into code, it changes state; like water turned to ice, it becomes a new thing, with new properties. We use it, but in a human sense, we no longer know it.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
And then, one acting class turned into two, turned into four, and then turned into, "I love this. I could do this for the rest of my life. But, I don't have a background in acting. I never acted in college, or did anything like that. How can I go about doing this?" That meant going to grad school and getting some training, and I did. I literally walked down the path. It was real fortuitous for me to walk by that school, that one morning.
Each day I'm thankful for nights that turned into mornings, friends that turned into family, dreams that turned into reality, and like that turned into love.
The actual time you're acting is miniscule compared to the time you're getting ready to do the work. The big difference on series television is, there's not a lot of hanging-out time. You're pumping those pages out, you're doing six, seven, eight pages a day. And I like that pace.
When I first decided to open a restaurant, I was turned down by several banks. It was the late 80's and many restaurants were failing. I refused to give up because I knew I had a good concept.
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