A Quote by Frederik Pohl
That's the method: restructure the world we live in in some way, then see what happens.
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I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.
We live in a world which in some respects is mysterious; things can be experienced which remain inexplicable; not everything which happens can be anticipated. The unexpected and the incredible belong in this world. Only then is life whole. For me the world has from the beginning been infinite and ungraspable.
We see quite clearly that what happens to the nonhuman, happens to the human. What happens to the outer world, happens to the inner world.
Come to me. Are you lost? I can see another way from where I live. The heart can see a path that's out of sight to the head-a path you'll surely overlook, left alone on your lofty perch up there, too distracted by your world to see the real world where I live. I live on the level of laughter, tears, and-yes-prayer.
I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
Meet some people who care about poetry the way you do. You'll have that readership. Keep going until you know you're doing work that's worthy. And then see what happens. That's my advice.
The best way to study is to go to the Cecchetti method for about a year and draw onto all the highest points and then put that into the general method.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
I believe we are shown the path that is right as soon as we ask for it. Then we must live in the world and in some way express what we have learned.
When I started out, it was this sense of, "Let's put out a record and see what happens and see where you go and see how you feel and where we can take it." That was a very different world back then.
If we restructure things to see that the hero's journey is a degree in astrophysics rather than a journey to star in a reality show, that's a better world.
When I was a child, we seemed to be living in a world remote from the rest of the world. But television has made a great difference to all of us. If something happens where I live, you see it tomorrow or perhaps even at the same time it is happening there. It's not "one world" in the sense that conflicts are resolved in the world. But we are more one world in that we know what is going on and are psychologically influenced by what goes on around us.
You look at the world around you, and you take it apart into all its components. Then you take some of those components, throw them away, and plug in different ones, start it up and see what happens.
It is quite possible that we will soon come to live under some sort of global despotism, enlightened or not. This is not a nice prospect. And there is only one way of avoiding that this happens: to establish a global democracy. And it is not too late to strive for such a democracy, of a straightforward populist nature, where people on the globe elect a world parliament, which in turn elects a world government.
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