A Quote by Fredric Brown

There is a sweet little horror story that is only two sentences long: The last man on Earth sat alone in a room. There was a knock at the door... Two sentences and an ellipsis of three dots.
Don't forget that the only two things people read in a story are the first and last sentences. Give them blood in the eye on the first one.
When men comfort themselves with philosophy, 'tis not because they have got two or three sentences, but because they have digested those sentences, and made them their own: philosophy is nothing but discretion.
Just as you can practice three-word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.
America has the longest prison sentences in the West, yet the only condition long sentences demonstrably cure is heterosexuality.
These days, I like to think of sentences as workers. Only one of their jobs is to look and sound good. Sentences are the carriers of plot. They're the conjurers of images, the conveyors of tone and meaning and voice. The best sentences surprise us.
I recently heard of someone studying the ellipsis (or three dots) for a PhD. And, I have to say, I was horrified. The ellipsis is the black hole of the punctuation universe, surely, into which no right-minded person would willingly be sucked, for three years, with no guarantee of a job at the end.
Either CS (coordinate system) could be used with equal justification. The two sentences: the sun is at rest and the earth moves, or the sun moves and the earth is at rest, would simply mean two different conventions concerning two different CS
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
A man cannot utter two or three sentences without disclosing to intelligent ears precisely where he stands in life and thought, whether in the kingdom of the senses and the understanding, or in that of ideas and imagination, or in the realm of intuitions and duty.
I have a new method of poetry. All you got to do is look over your notebooks... or lay down on a couch, and think of anything that comes into your head, especially the miseries. Then arrange in lines of two, three or four words each, don't bother about sentences, in sections of two, three or four lines each.
The most striking aspect of linguistic competence is what we may call the 'creativity of language,' that is, the speaker's ability to produce new sentences, sentences that are immediately UNDERSTOOD by other speakers although they bear no physical resemblance to sentences which are 'familiar.
As I sat in a small room constructing what seemed to me awkward sentences and paragraphs, McCone was out having exciting adventures.
A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colourful, senseless and unknowing. Polka-dots can't stay alone; like the communicative life of people, two or three polka-dots become movement... Polka-dots are a way to infinity.
I know I have a problem with semi-colon abuse and have written page-long sentences. Nobody needs to be reading page-long sentences, at least not written by me.
Whatever simplicity I've achieved in writing, I think I owe most of it to Jean Renoir and Hemingway: simple, declarative sentences. I've read some very good writers, but the sentences were so long that I've forgotten what the point was.
I mean people just have a way of - y'know they'll review your record in two sentences and put you in this little stupid box that you don't want to be in
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