A Quote by Fredric Jameson

The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination. — © Fredric Jameson
The visual is essentially pornographic, which is to say that it has its end in rapt, mindless fascination.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.
It was as if this night were only one of thousands of nights, world without end, night curving into night to make a great arching line of which I couldn’t see the end, a night in which I roamed alone under cold, mindless stars.
He has to live in the midst of the incomprehensible, which is detestable. And it has a fascination, too, which goes to work upon him. The fascination of the abomination--you know.
I would say the flip side to my fascination with systems is a fascination with components. So many of my books are dialogues between little and big.
As far as stimulus from the visual arts specifically, there is today in most of us a visual appetite that is hungry, that is acutely undernourished. One might go so far as to say that Protestants in particular suffer from a form of visual anorexia. It is not that there is a lack of visual stimuli, but rather a lack of wholesomeness of form and content amidst the all-pervasive sensory overload.
Cooking is the best way to unwind at the end of a long writing day. There's something mindless and hands-on about cooking, which makes it feel like the very opposite of writing, which is heady but inactive.
a poet is someone who is abnormally fond of that precision which creates movement. Which is to say the highest form of concentration possible: fascination; to report on the electrifying experience of being
Heroism is a badly remunerated occupation, and often it leads to an early end, which is why it appeals to fanatics or persons with an unhealthy fascination with death.
I believe that if we think back to the period from F.D.R. through, let us say, Bush I, until the end of the Cold War, we lived through an artificial period in which American interests and European interests essentially dovetailed.
I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color.
The thing that's between us is fascination, and the fascination resides in our being alike. Whether you're a man or a woman, the fascination resides in finding out that we're alike.
It's a tremendous asset if you have a visual eye because you can make huge visual statements in a very theatrical way and play to the strength of theatre. But the high end of directing is working with actors and making the acting the best it can be.
For ages I thought I'd wasted my career doing visual effects, I wanted to be a filmmaker. And then I've learnt at the end of it all that actually visual effects was probably the best training ground I could have had.
In what rapt ether sails the world, of which the weariest will never weary?
I've always found it very difficult to understand the laws as far as nudity in America - how some things are pornographic and some things are not pornographic. It's against the law to go topless on the beach, but you can go buy a gun. That just seems so absurd to me.
We lived in a one-bedroom apartment in Northwest D.C. I was essentially raised by a Panamanian man and a Jamaican woman. That's why I have such a fascination with Jamaican food.
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