A Quote by Fredric March
It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.
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My experience of singing, as an actor, was that there's a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.
My feeling about work is it's much more about the experience of doing it than the end product. Sometimes things that are really great and make lots of money are miserable to make, and vice versa.
Whenever I'm doing stage, I want to be doing screen, and vice versa.
I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
The more you work, the more people see your work and would like to work with you, and vice versa.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
I feel like I've gotten to the point where when I get tired of making art I can make a smooth transition into making music and vice versa. There is always something to do.
Whether it's freedom to express, freedom to live, freedom to earn, freedom to thrive, freedom to learn, whatever it is, I want to make sure that I'm a part of these spaces and opening doors.
I think that comics can do things movies can't and vice versa. In my opinion, you only expose their weaknesses if you try too hard at making one exactly like the other.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
Being with someone makes you happier and more content as a human being and takes your personality to greater heights and vice versa. And I don't think that's being too demanding.
I don't have a particular genre that I want to stick to; if you work on a small piece, you take that experience with you when you work on a big piece and vice versa. You will take those experiences with you and they will make the next one richer.
I learned my business in the theater and in television, particularly working with the actors. You can learn much more in the theater than directing a movie, because then you have no time when you are shooting a movie to really work with the actors. You have to learn this craft somewhere else.
I like to go back and forth between film and theater. When I do film, I miss theater and vice versa.
What I love about making movies is that it's a collaboration. It's one of the most rewarding things, to create something and have someone show you something that you didn't see, and vice versa.
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