A Quote by Freema Agyeman
My own style is one of not much effort.
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As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Themes don't change very much in story telling, and I think each writer has his or her own territory; however, I think craft and style take a lot of time to develop. I don't think there's any other way to develop your own style without reading your betters.
I wrote without much effort; for I was rich, and the rich are always respectable, whatever be their style of writing.
I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.
The principle of the Gothic architecture is infinity made imaginable. It is no doubt a sublimer effort of genius than the Greek style; but then it depends much more on execution for its effect.
If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
Sometimes directors get hired into TV shows, and it's so formulaic and they're a slave to whatever everybody wants them to do. But everyone came in with their own style, and it blended together with the Helix style that was set, and at the same time, they're bringing their own ideas and their own input. It was really fun working with all of them.
So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
No, Wayne (Rooney) doesn’t need it (tips about style). He has his own style. But with hair he looks much better. He looks very good now. Before, he was a little bit ugly, but now, with hair, he’s beautiful.
A man is entitled to draw things in his own style. I didn't hurt Superman. I made him powerful. I admire Superman, but I've got to do my own style.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
At WSX I think I was very much trying to figure it out on my own and we were creating our own style and our own thing. I can only speak for myself, I was not trying to be anything. I was not trying to be like anyone else.
'Death Sentence' really is a throwback to the '70s style revenge drama with moments of action. It's like a contemporary 'Death Wish' with a much more thriller style storyline, but the action scenes I shot very much in the style of '70s films like 'The French Connection.'
Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.
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