A Quote by Freeman Patterson

A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar. — © Freeman Patterson
A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar.
A photographer who wants to see....must recognize the value of the familiar. Your ability to see is not increased by the distance you put between yourself and your home. If you do not see what is all around you every day, what will you see when you go to Tangiers?....Good seeing doesn't ensure good photographs, but good photographic expression is impossible without it.
I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
Sometimes a photographer is a passenger, sometimes a person who stays in one place. What he watches changes constantly, but his watching never changes. He doesn't examine like a doctor, defend like a lawyer, analyze like a scholar, support like a priest, make people laugh like a comedian, or intoxicate like a singer. He only watches. This is enough. No, this is all I can do. All a photographer can do is watch. Therefore, a photographer has to watch all the time. He must face the object and make his entire body an eye. A photographer is someone who wagers everything on seeing.
Being a digital photographer I'm in awe of the older generation of photographers who created all those iconic cinematic style images on film, such as Man Ray's portrait of the photographer Lee Miller.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
I didn’t see any difference between being a photographer or being an artist. I didn’t make those boundaries. If someone wants to think it’s art, that’s great, but I’ll let history decide.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
We all expect photographs to be a picture of something. We assume that the photographer observed a place, a person, an event in the world, and wants to record it, point at it…The problem with my work is that these images are really not of anything in that sense, they register only that which is incidental and peripheral to the implied it.
This thing where Daniel Cormier wants to fight Brock Lesnar; I know he wants to make money, but it doesn't make any sense. The only one who wants to see that fight or make that fight is him. Nobody else wants to see that.
No surfer wants to be the photographer, especially when the waves are good.
A photographer's reality is what he or she wants to show.
The images which the [press] photographer has filtered from reality, whether particular events or the anguish of human reactions to them, already bear a stamp of authenticity which the photographer is powerless to alter by one jot or tittle; the meaning of the objects, by a process of purification, itself becomes the theme of the work.
I am a photographer who likes to make images, but I also want to get a sense and understanding of images that have already been made. I don't fabricate worlds; I pay attention to the things that already surround us.
Trump wants to make peace; he wants to see Ukrainian conflict resolved; he wants to see Ukraine get its territory back. It's crystal clear. With Putin, I think we see glimmers; we see a reason to think maybe they do. But they have to make the choice to do that, and they can very well choose the opposite.
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