A Quote by Freeman Patterson

Thirty-six satisfactory exposures on a roll means a photographer is not trying anything new — © Freeman Patterson
Thirty-six satisfactory exposures on a roll means a photographer is not trying anything new
Yeah I'm thirty-six, but on the show I'm thirty-two. Nobody wants to watch a thirty-six year old woman, so they decided to make me thirty-two. Much more appealing somehow.
The idea of the peace movement and of people who spent their entire lives trying to have a more egalitarian, just society, suddenly became swamped by the record industry, by the new rock and roll culture, and by the idea of not trusting anyone over thirty.
I've been making music for thirty-six years and, you know, I'm still just as in love with working on music now as I was thirty-six years ago.
I've come up with a set of rules that describe our reactions to technologies: 1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works. 2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it. 3. Anything invented after you're thirty-five is against the natural order of things.
A review of seventy-four clinical trials of antidepressants, for example, found that thirty-seven of thirty-eight positive studies [that praised the drugs] were published. But of the thirty-six negative studies, thirty-three were either not published or published in a form that conveyed a positive outcome.
You know, rock n' roll's an old carcass: it's one big cliche. It's so difficult to do anything that has any sense of freshness or vitality or meaning. But that's what I'm trying to do, to give it new meaning.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
The media is not about responding to the wishes of people. All you have to do in the United States is turn on the national news at six-thirty, and watch big pharma intervene between the news stories, trying to tell people what drugs they should buy. That's not a reflection of anything. That's an attempt to promote a particular kind of consumer logic that basically abuses people.
Anything before you’re thirty-five is new and exciting, and anything after that is proof the world’s going to hell.
I am running into a new year and the old years blow back like a wind that I catch in my hair like strong fingers like all my old promises and it will be hard to let go of what I said to myself about myself when I was sixteen and twenty-six and thirty-six but I am running into a new year and I beg what i love and I leave to forgive me.
On the Firehole I caught thirty-six inches worth of trout - in six installments.
Basically, I realized I was living in that awful stage of life between twenty-six to and thirty-seven known as stupidity. It's when you don't know anything, not even as much as you did when you were younger, and you don't even have a philosophy about all the things you don't know, the way you did when you were twenty or would again when you were thirty-eight.
I have been a photographer all my life....and have made photographs of many things and for many reasons. But one thing that becomes more and more apparent is that I am simply only as good as my next photograph. That's the one that counts the most....For this reason I find it a delight to face a new day, and to develop that new roll of film. It's a great way to live.
Just because a movie is satisfactory means that the person who makes it is satisfactory. One can make a wonderful movie but still not be a wonderful person. In terms of interviews, it's probably not a good idea, because moviemakers tend not to tell the truth, even when asked a question.
Six foot six he stood on the ground He weighed two hundred and thirty-five pounds But I saw that giant of a man brought down To his knees by love
I didn't get anything published until I was thirty-three, and yet I'd written five novels and six or seven plays. The plays, I should point out, were dreadful.
This site uses cookies to ensure you get the best experience. More info...
Got it!