A Quote by Freya Mavor
I've always been so intrigued by French language and how it completely changes you, because of cultural context, because of humor.
Related Quotes
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
I got a bit obsessed with the whole English language and was writing journals and poetry. I've always been intrigued about psychology and philosophy and how people's minds work.
Because of my register, Miles Davis' trumpet playing has always been a big influence on my singing. I've always been intrigued by the way he can start anywhere and make it right.
Now I’m really glad that I speak French, because, let’s face it, girls dig it when a guy speaks French. They call it the language of love, and that ain’t no coincidence. Plus, I love my French fans! Très jolie!
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
By the time I was a teen, I was an expert at scanning people's faces, always in search of eyes like mine. I devoured glossy magazines, ever mindful of the language we used to talk about beauty. The sections on how to apply makeup intrigued me most precisely because their audience never included me.
My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.
I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.
I can remember the times when I started including humor in novels that were suspenseful. I was told you can't do that because you can't keep the audience in suspense if they're laughing. My attitude was, if the character has a sense of humor, then that makes the character more real because that's how we deal with the vicissitudes of life, we deal with it through humor.
When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies.
I've always been intrigued by fighter pilots and strategy because it occurs in like, milliseconds, you know.
I have been in countries where I don't know a word of the language. I tried to practice my French as much as possible. I would talk with the crew. I always order in French, but then waiters respond in English. I hate that.
I write books because I have always been fascinated by stories and language, and because I love thinking about what makes people tick. Writing a story... 'The Giver' or any other... is simply an exploration of the nature of behavior: why people do what they do, how it affects others, how we change and grow, and what decisions we make along the way.
A man may take to drink because he feels himself to he a
failure, and then fail all the more completely because he
drinks. It is rather the same thing that is happening to the
English language. It becomes ugly and inaccurate because
our thoughts are foolish, but the slovenliness of our language
makes it easier for us to have foolish thoughts.
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