A Quote by Freya North
She didn't want to be reminded of her past or how different her present was from the future she'd taken for granted.
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And when she started becoming a “young lady,” and no one was allowed to look at her because she thought she was fat. And how she really wasn’t fat. And how she was actually very pretty. And how different her face looked when she realized boys thought she was pretty. And how different her face looked the first time she really liked a boy who was not on a poster on her wall. And how her face looked when she realized she was in love with that boy. I wondered how her face would look when she came out from behind those doors.
I think that is funny to say because I've always loved her work and her strength and vulnerability, and the intensity of Evan's [Rachel Wood] performances. And to know her as a friend, know her as someone who we just have fun, whatever, and then see how present she is when she's working and how powerful she is. It was really awesome to get to sort of go into this different dimension with each other.
I want to tell her that I can't pull her down. I want to tell her that she has to let go of my hand in order to swim. I want to tell her that she must live her own life. But I sense she already knows that these options are open to her. And that she, too, has made her choice.
One thing I did have under my belt was, my mother lost her mother when she was 11. She mourned her mother her whole life and made my grandmother seem present even though I never met her. I couldn't imagine how my mom could go on but she did, she took care of us, she worked two jobs and had four children. She was such a good example of how to conduct oneself in a time of grief. When I lost my husband, I tried to model myself as much as I could on her.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate.
Voodoo Girl Her skin is white cloth, and she's all sewn apart and she has many colored pins sticking out of her heart. She has many different zombies who are deeply in her trance. She even has a zombie who was originally from France. But she knows she has a curse on her, a curse she cannot win. For if someone gets too close to her, the pins stick farther in.
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
Sometimes she wants her pacifier, and other times, she doesn't even want it near her. She's very strong and determined. She's always trying to stand, and she was born with her eyes open, so she's ready to go.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
If she took Po as her husband, she would be making promises about a future she couldn't yet see. For once she became his wife, she would be his forever. And, no matter how much freedom Po gave her, she would always know that it was a gift. Her freedom would be not be her own; it would be Po's to give or to withhold. That he never would withhold it made no difference. If it did not come from her, it was not really hers.
She would tell him what she wanted in her life--her hopes and dreams for the future--and he would listen intently and then promise to make it all come true. And the way he said it made her believe him, and she knew how much he meant to her.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
She didn't want to disrupt her family. She didn't want to lose her family; she didn't want to hurt her children. She struggled. It was a lifelong struggle for her, being in Bruce Jenner's body.
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