A Quote by Freya North

That's the beauty about love. It's not about give-and-take - it's about feeling safe in one's needs - wanting to be looked after as much as wanting to look after. — © Freya North
That's the beauty about love. It's not about give-and-take - it's about feeling safe in one's needs - wanting to be looked after as much as wanting to look after.
Wanting something - wanting a career or wanting to make something - doesn't really mean much. It's about finding something you care about. Because caring is the only thing that really matters.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
Acting, for me, has never been about wanting attention or wanting to be seen. It's funny that I'm in a profession where that's where I am. There's so much I want to express; it's about connecting with another person and the intimacy of what that is, and so I have to overcome my shyness.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
A lot of the music comes out of that conflict of wanting this other thing and feeling guilty about wanting it, and then it guiding me somewhere despite my kicking and screaming.
I made a film about adolescence and what going through it is like for a specific group of girls. Adolescence is always about wanting desperately to be individuals, and also about wanting desperately to fit in. For every teenager it's about finding that balance.
It wasn't about mechanics; it was about a feeling, wanting to give someone something, which in turn was really gratifying. That really resonated for me.
The tourists always seem to want something. On Thisby, it's less about wanting, and more about being." I wonder after I say it if he'll think I sound like have no drive or ambition.
'Stay With Me,' for me, is my own personal anthem to the 'walk of shame...' that we've all gone through. It's the feeling after a one-night stand of not wanting that person to leave, even if you don't love them and don't even like them. It's about having that body next to you.
What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.
Unworthiness is the inmost frightening thought that you do not belong, no matter how much you want to belong, that you are an outsider and will always be an outsider. It is the idea that you are flawed and cannot be fixed. It is wanting to be loved and feeling unlovable, or wanting to love and feeling that you are not capable of loving.
I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
Men, this stuff that some sources sling around about America wanting out of this war, not wanting to fight, is a crock of bullshit. Americans love to fight, traditionally.
A lot of times you'll hear horror stories about actors being incredibly selfish and only wanting themselves to shine, but for me, it's not about just one person. It's about the whole team. That's the way I look at acting. That's the way I look at everything I do.
My biggest mistake: not wanting to help myself into thinking I am happy, that change would come about without really trying to change, or wanting to change. Procrastinating about changing. I do want to change.
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