A Quote by Freya Ridings

At the age of 11 I did my first open mic show, and it was one of those lightning-bolt moments where I suddenly found what I wanted to do. — © Freya Ridings
At the age of 11 I did my first open mic show, and it was one of those lightning-bolt moments where I suddenly found what I wanted to do.
Gerry Lopez was a famous surfer back then and his board had a lightning bolt in the in the middle, so my Dad made me a surf/skateboard with a lightning bolt on it.
My first open mic was fantastic. I crushed. And my second mic was as bad as my first one was good.
Both the 'Gregor' series and 'The Hunger Games' are what I call lightning-bolt ideas. There was a moment where the idea came to me. With 'The Hunger Games,' the lightning bolt sort of hit at a moment when I was channel surfing between reality TV and the coverage of the Iraq war.
There was an open mic night when I was about 11 years old and I went and I played the songs that I'd written in my bedroom and it was the first night where I felt like I was myself at school.
I wanted to be an artist, but at age 11, somehow all this musical knowledge and information and love for music that I had came out, and then suddenly it was very clear that I wanted to be a musician of some sort.
So you're just moving along and suddenly you get this moment that breaks your ability to continue, and yet you continue. I wanted those kinds of moments. And initially people would say, "I don't think I have any." Their initial reaction was to render invisible those moments weaved into a kind of everydayness.
He was, as Billy Name said in the acclaimed Ric Burns documentary about Andy Warhol, uninterested in being a second-tier artist. He was uninterested in being a first-tier artist! He wanted to be, you know, a god. Someone who completely changed the...he wanted to be Zeus with the lightning bolt and nothing less would have satisfied him.
My name is Bolt, Lightning Bolt.
I've always been funny. I look back in the day, when I would take the mic from my dad in church and just start goin', at age six, the first time I did it. I think 14 was when I knew I wanted to do it and promote my own comedy shows at the church. Then, everyone would come.
The first time I did a show, I definitely didn't get any money. My friend just let me do this show. I was so nervous: my mic didn't work, and I was like, 'Urgh.' It was terrible. It was a dingy club off of the highway, but all these people came. It was packed out.
It's those moments when everything is on the line, and someone needs to show up in a big moment. I prepare my mind and I prepare my body to be ready for those moments. And I think it's just what I do. I live for those moments.
When I recorded my first album, my ego didn't let me believe that what I was gonna say on the mic, anyone would really care about. But then when I found out that they did, I started to take it more seriously.
She could walk through a lightning storm without being touched; grab a bolt of lightning in the palm of her hand; use the heat of lightning to start the kindling going under her medicine pot. She turned the moon into salve, the stars into swaddling cloth, and healed the wounds of every creature walking up on two or down on four.
Creativity hits me like a lightning bolt. For two weeks ideas overflow and spill from me, before a period of nothing. The prospect of it suddenly just leaving me one day scares me. I'm terrified that every song I write might be my last.
Writing a book about Jeremy Corbyn, set out with two objectives. The first was simple: to explain how he became the leader of the Labour Party. I was disappointed - but not at all surprised - at the complete absence of intellectual curiosity on display. The second objective I had to try to capture for posterity the excitement and spirit of the first Corbyn campaign. Those moments when the impossible suddenly becomes possible are so powerful to those who experience them. I think it's politically valuable to relive such moments, to learn the lessons of what went right.
The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
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