A Quote by Freya Stark

every word calls up far more of a picture than its actual meaning is supposed to do, and the writer has to deal with all these silent associations as well as with the uttered significance.
And the good writer chooses his words for their 'meaning', but that meaning is not a a set, cut-off thing like the move of knight or pawn on a chess-board. It comes up with roots, with associations, with how and where the word is familiarly used, or where it has been used brilliantly or memorably.
I am a writer, I deal in words. There is no word that should stay in word jail, every word is completely free. There is no word that is worse than another word. It's all language, it's all communication.
And when you were a silent word upon Life's quivering lips, I too was there, another silent word. Then life uttered us and we came down the years throbbing with memories of yesterday and with longing for tomorrow, for yesterday was death conquered and tomorrow was birth pursued.
What a glorious title, Nature, a veritable stroke of genius to have hit upon. It is more than a cosmos, more than a universe. It includes the seen as well as the unseen, the possible as well as the actual, Nature and Nature's God, mind and matter. I am lost in admiration of the effulgent blaze of ideas it calls forth.
To instruct calls for energy, and to remain almost silent, but watchful and helpful, while students instruct themselves, calls for even greater energy. To see someone fall (which will teach him not to fall again) when a word from you would keep him on his feet but ignorant of an important danger, is one of the tasks of the teacher that calls for special energy, because holding in is more demanding than crying out.
Solely in the world of languages is the amateur of value. Well-intentioned sentences full of mistakes can still build bridges between people. Asking in broken Italian which train we are supposed to board at the Venice railway station is far from useless. Indeed, it is better to do that than to remain uncertain and silent and end up back in Budapest rather than in Milan.
We may be able to tell how many stars are in the Milky Way; we may be able to count the petals of every flower, and number the bones of every bird; but unless faith leads us to a deeper understanding, a more reverent comprehension of the significance of the universe, God can be no more pleased with our knowledge than the painter is pleased with the fly which touches his picture with its feelers, and sips the varnish from the surface, and dies without dreaming of the meaning, thought, feeling, embodied in the colors.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
It is better wither to be silent, or to say things of more value than silence. Sooner throw a pearl at hazard than an idle or useless word; and do not say a little in many words, but a great deal in a few.
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
It is only in Hebrew that you feel the full meaning of it -- all the associations which a different word has.
Whenever we remember a series of events, we remember them different. We are constantly changing. It's a flaw, but on the other hand, when we say a word, the meaning is not what you put into it. Rather, the meaning of the word is all of the past usages of that word. Like this cloud that makes up the meaning of the word. It's your subject if you write. For instance what you put in that word and what you assume it means, even its flaw. It has a general agreement.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
When controversy calls, corporations can be far more responsive than politicians. The market votes every day, after all.
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