A Quote by Frida Giannini

You need to reinvent yourself every day when you are doing creative work. I always say that the moment I feel I'm at the top of the mountain and I cannot do more, I would be finished. So that's why I always feel the earth quake beneath my feet. I always feel myself on the fire. Because I think this is something that gives you the right adrenaline to work and go forward in your professional life. I have reinvented myself, believe me, many times in my life!
The life of a sannyasin should be a life of no expectations. And then every moment is such a bliss, such a benediction, because whatsoever God gives is so much. Then you always feel grateful. But your desires are so much that whatsoever God gives always looks so little; and you feel frustrated, and you feel complaints, and you cannot feel grateful. And without gratitude, there is no possibility of prayer arising in your heart. Gratitude is prayer.
I tried. But I feel that I haven't given utterance to the thousandth part of what lies within me. When I go to the grave I can say as others have said, "I have finished my day's work." But I cannot say, "I have finished my life." My day's work will begin again the next morning. The tomb is not a blind alley; it is a thoroughfare. It closes on the twilight, but opens on the dawn.
[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
The first professional game of your career is obviously the biggest, but you still get the jitters, you still get the adrenaline rush before every game. A lot of people don't realize that, but it's true. I have always told myself that if you don't feel those nerves and you're not having fun, you shouldn't be playing. And I always enjoy the competition, the adrenaline rush before a game. And just competing with your buddies at the highest level, every day.
You always feel the ground rumbling beneath your feet, and if you don't, you're an idiot. Mostly because it is rumbling beneath your feet, and there is always someone who is coming up behind you who is as good, younger, and, at least as you perceive it, has more energy and more nimbleness than you.
I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.
I think I'm one of those people that needed to be seen by someone else to see myself. But then on the other hand, the way I do my work, I always try to only completely focus on my work, so when I do my work I'm only interested in my character. So I don't have an idea of what it means for my career. So this is why I don't feel like I need to be discovered, because I feel like even without being discovered, I will be fine.
People always tell me, 'Reinvent yourself, re-this, re-whatever.' I haven't reinvented myself. It's an honest evolution. I've always been authentic.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
I love my kids so much. They teach me something every day. It always brings richness to my work, and even more in life. I feel lucky to be able to do both.
My interest in words and literature is always changing. And every day of work is different, and it doesn't feel laborious in the way that, say, washing dishes did. I'm quite happy to be doing what I'm doing, and I feel very lucky.
I think my whole life, work has been a very important and positive thing for me. It never was something that made me feel unhappy or disengaged from life. It always makes me feel like I'm plugged in, in a really healthy way.
A lot of me figuring out how to love myself more involves finding the things that I'm ashamed of and looking them right in the eye. And something I always find beautiful about Jesse's work is that he finds beauty without any calculation. People say that his work is dark, but he never sees it as such. For him it's all almost about educating people to process why they feel disgust.
When I'm editing my work, I'm looking for everything to fit, to feel seamless, for every detail or line of dialogue or scene to feel necessary and organic. I approach the writing of others in much the same way while always working to preserve the writer's voice. To allow myself to be vulnerable on the page, I tell myself no one is going to read my work. There's no way I could put myself out there otherwise.
I feel pressure every day. It is only pressure that I put on myself, but I would expect all professional sportspeople to feel pressure to perform their best whenever they are at work.
I think comedy evolves constantly. I reinvent myself all the time. I always find a way to entertain myself because I truly believe you have to entertain yourself in order to relate it the right way to your audience.
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