A Quote by Frida Giannini

When I joined Gucci in 2002, I immediately wanted to make a research trip into the archives because I'd heard about how incredible they were, but I never had the opportunity to visit them.
I actually found out about Ugg on a trip to Australia, which I guess is where they were born themselves. Everyone was wearing them there, kind of slightly ahead of when they caught on globally. This was in 2002 or so. Just after I left sixth form I was modeling and my best mate was Australian so I went over there to visit her. That was my introduction to the brand.
The most climate friendly trip we are ever going to take is the trip we never had to take because we were close to what we wanted.
When I joined films in 2002, there were all kinds of rash and unkind comments that were made about my looks in the reviews.
I suppose we'll make money off our album and our singles and stuff, but, like, they were made as we wanted them, exactly with what we had to say, and done exactly how we wanted them, right? And, like, we didn't put them out to make money. We put them out because we wanted to do them, do you know what I mean?
I visit T-Mobile call centers. We've got about 18 major call centers in the US, and before I was CEO, I heard that no CEO had gone to physically visit them. I go in, they meet me outside, we take selfies as I stand like a piece of furniture, I tell them about how things are going - but most importantly, I say thank you and help them see that their behavior and their work has driven the culture of the company that's changed the industry and the whole world. It's a bit of a love affair.
I'm pretty damn obsessed with Gucci. The fashion. It's like a painting! The advertising is beautiful and I've actually never owned one piece of Gucci in my life and then I was in Paris with my husband for shows and we went to Gucci and I got the brown loafers, a boot and a couple sweaters - it's totally how I dress. And I love how they're articulating the girls. They're bohemian and whimsical.
Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.
When I was four I joined a group of girls who were talking about their party dresses. I thought they were imagining, so I imagined a fantastic pink velvet dress with lots of jewels. But they were simply describing what they actually wore, and they had utter contempt for my obvious fiction. After that, I never joined a group again.
He always lived in his head. He never cared about how things were, only how they would be, someday, when he had everything he wanted. When we had everything we wanted.
What is it about maps? I could look at them all day, earnestly studying the names of towns and villages I have never heard of and will never visit.
I hadn't seen 'The Purge' until I was trying to do the research for it. But it was my friends and my cousins, in particular, who came to me not too long before the audition process and asked me if I had seen it. They were talking about how great it was. I was engaged in the opportunity to do the film because of their intrigue with the franchise.
I joined Yes in July 1971. I had heard Yes live, as Strawbs had supported them at a gig in Hull. I thought they were amazing - incredibly different.
Perhaps you have heard about the college executives who were discussing what they wanted to do after retirement age. One hoped to run a prison or school of correction so that the alumni would never come back to visit. Another chose to manage an orphan asylum so that he would not be plagued with advice from parents.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
Sometimes people have sympathized with me because long years of my life were spent in jail and in exile. Well, those years ... were a mixed experience. I hated them because they separated me from the dearest thing in the world-the struggle of my people for rebirth. At the same time, they were a blessing because I had what is so rare in this world-the opportunity of thinking about basic issues, the opportunity of examining afresh the beliefs I held.
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