A Quote by Frida Giannini
My biggest satisfaction is always when I make something beautiful and well-done that I can see on a real man or woman - not only in the glossy magazines.
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I truly believe that a beautiful woman is a beautiful woman, but a beautiful woman with a brain is an absolutely lethal combination. Women of integrity, depth, sensuality and strength have always been my source of inspiration, the reason for what I do and how I got to where I am today. They are all my muse. If my quest, in what I do - to make women look and feel beautiful - reflects even a tiny fraction of my deep-rooted respect for them, and succeeds in celebrating these lives of strength and substance, then I will consider it a job well done.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
Winning has a joy and discrete purity to it that cannot be replaced by anything else. Winning is important to any man's or woman's sense of satisfaction and well-being. Winning is not everything; but it is something powerful, indeed beautiful, in itself, something as necessary to the strong spirit as striving is necessary to the healthy character.
The Maier woman is not a woman who doesn't have fun. My woman is not a woman who doesn't have a life. I like clothes to suggest something. I'm gay, but so what? I still have that sensibility that I like to look at a beautiful woman, and I'm as intrigued as any straight man. I probably look even harder because I like what you don't see.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
We wanted to have in Lotus Eaters something that looks really beautiful on the outside but is not necessarily on the inside. There's a lot of superficial references. I remember we were looking at Helmut Newton's photographs - they just look so glossy and beautiful, but you look closely and you can see the cellulite.
Before we can begin to see the cross as something done FOR us, leading us to faith and worship, we have to see it as something done BY us, leading us to repentance. Only the man or woman who is prepared to own his share in the guilt of the cross may claim his share in its grace.
I don't see why people can't praise when they see something done well - even if it is by a woman.
You have all these glossy magazines which are read by young girls, who then go on a diet and try to be thin to emulate the models they see.
You see, there weren't these magazines like 'Heat' in my day. Always waiting to trip up these pretty girls and make them seem something horrible, something to make them look stupid and small and ugly and disgusting.
To make real change, you have to be well anchored - not only in the belief that it can be done, but also in some pretty real ways about who you are and what you can do.
The younger and healthier a woman is and the more her new and glossy body seems destined for eternal freshness, the less useful is artifice; but the carnal weakness of this prey that man takes and its ominous deterioration always have to be hidden from him...In any case, the more traits and proportions of a woman seem contrived, the more she delighted the heart of man because she seemed to escape the metamorphosis of natural things. The result is this strange paradox that by desiring to grasp nature, but transfigured, in woman, man destines her to artifice.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
To be a real man, I think you have to be supportive of each other and to be a real woman you have to be supportive of your man, and the man has to do the same thing, only then he would be a real man.
The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.
Pornography is pornography, what is there to see? Movies are attempting to destroy something that's supposed to be the most beautiful thing a man and a woman can have by making it cheap and common. It's what you don't see that's attractive.
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