A Quote by Frida Giannini

All the drawings and sketches and clothes of Yves Saint Laurent in the '70s were so colorful, so bright. — © Frida Giannini
All the drawings and sketches and clothes of Yves Saint Laurent in the '70s were so colorful, so bright.
My mom worked at [American] Vogue before I was born. She has always been fashion-minded. I grew up with original Yves Saint Laurent sketches on the wall in our house. A lot of that rubbed off on me.
My earliest influences were Coco Chanel and Yves Saint Laurent.
I've spent a lot on clothes. I'm not kidding when I say I could have bought several country homes with the money. I've also given a lot away over time. I had a lovely Yves Saint Laurent jacket that I'd only worn once or twice, but I'm one for spring cleaning rather than storing my clothes.
I am not really sure that Diana Vreeland did Yves Saint Laurent a favor, as opposed to the world, by putting that exhibition at the Met in 1983. Because I'm sure that Saint Laurent started looking back at his own work. You see that with artists, don't you? Once they get their first retrospective, it's really hard for them to push ahead.
Yves Saint Laurent hated fashion. He loved style.
Yves Saint Laurent mascara is the best I've ever tried.
I am not ashamed to admit that I'm wearing Yves Saint Laurent from top to toe.
Haute couture is a legitimate subject for Yves Saint Laurent and could resume one day.
Yves Saint Laurent was the first person who made me feel like a woman.
Yves Saint Laurent has a special place in my heart because he was my mother's favorite designer.
What I like about Yves Saint Laurent Black Opium is that it's an understated scent that's somehow familiar.
I like Chanel and Yves Saint Laurent. I have some great Balenciaga jackets and I'm shoe crazy.
There's nothing that really motivates me anymore and demands that I get up in the morning. In the past it was Yves Saint Laurent.
Yves Saint Laurent will never go out of business so long as I'm buying mountains of Touche Eclat.
I was a very lucky child because at the age of 16, 17 years old, my parents would buy me clothes from Yves Saint Laurent, which was an incredible luxury at the time, but I was attracted to that whole world. I had a pretty nice little wardrobe by the age of 17.
I carried on buying paintings, works of art, and Yves Saint Laurent, if I may say so, had a right of inspection. We even shared a common reading of the history of art. It would never have crossed Yves's mind to say to me, "Ah, I saw a Pablo Picasso . . ." He knew perfectly well what was interesting with Picasso, as did I.
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