People don't understand that when you come into any theatrical experience, you've got to come locked and loaded, that you're a part of the experience, too. You can't come with your arms crossed. Be open to it.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive.
Please come to Destination I'm not doin well Exclamation
I expect people that come to the studio to work to come with the same energy I come with. If I see less than that, I get very strong about, if you want to do this, come with a sense of pride, come with eagerness and anxiety.
Sometimes, when you live a life at such a wild edge, an extreme edge of experience, you can come back into the world - if you come back at all - with some essence from that experience that people find useful.
People do not come into therapy to change their past but their future.
Look, I come from vaudeville, I come from burlesque, I come from heartaches, I come from sadness, I come from gladness, I come from work and sweat and respect for the craft.
Come, come, whoever you are. Wanderer, worshiper, lover of leaving. It doesn't matter. Ours is not a caravan of despair. Come, even if you have broken your vows a thousand times. Come, yet again, come, come.
Mentorship is important for everybody, but it can come in a variety of forms. It can come from your boss or another colleague who may be more of a peer, or someone who reports into you if they have a lot of experience or creative experience.
While testimonies can come as dramatic manifestations, they usually do not. Sometimes people think they need to have an experience like Joseph Smith's vision before they gain testimonies. If we have unrealistic expectations of how, when, or where answers come, we risk missing the answers which come as quiet, reassuring feelings and thoughts that most often come after our prayers, while we are doing something else. These answers can be equally convincing and powerful.
I mean to me, the harpsichord has a huge dynamic range. And I always say to people, come and listen to it. You know, come and listen. Come and actually experience this and realize there's good harpsichord playing, there's bad harpsichord playing. By the way, I am fun outside of this context.
If you are writing a story and trying to draw an audience to come and hear you tell it, it's got to in some way relate to them. Who wants to come and hear about your specific problems? It's not therapy - it's supposed to be a communal piece of entertainment.
People complain about my exclamation points, but I honestly think that's the way people think. I don't think people think in essays; it's one exclamation point to another.
The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive. People love to read stories. They like to know you as a real person who has your struggle, pain, success and failure, etc. One well-known example is Jared Fogle's weight loss story which made millions of dollars for Subway. Start to collect your stories from today and use them in your ad campaigns.
When people come to me, they come usually for spiritual blessings, they come for the heart to be opened, because if it's not, we're not going to be able to channel our way through the course, and I think that most people know that there is that understanding that something has to open within us before we begin to resolve our problems, and so it is at all levels that they come.