What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
Reality is contradictory. And it's paradoxical.
The best thing, on 'Question Time,' is when the reality confronts the rhetoric.
A camera exposes more than just an image. It also exposes the photographer.
In the end the listening exposes you even more than it exposes the people you're trying to listen to.
A man who exposes himself when he is intoxicated, has not the art of getting drunk.
If one does not make human knowledge wholly dependent upon the original self-knowledge and consequent revelation of God to man, then man will have to seek knowledge within himself as the final reference point. Then he will have to seek an exhaustive understanding of reality. He will have to hold that if he cannot attain to such an exhaustive understanding of reality he has no true knowledge of anything at all. Either man must then know everything or he knows nothing. This is the dilemma that confronts every form of non-Christian epistemology
America is such a paradoxical society, hypocritically paradoxical, that if you don't have some humor, you'll crack up.
Education becomes most rich and alive when it confronts the reality of moral conflict in the world.
How paradoxical it is to search reality for the pictures that are stored in one's memory.
The most affluent man is he that confronts all the shows he sees by equivalents out of the stronger wealth of himself.
Feminism directly confronts the idea that one person or set of people [has] the right to impose definitions of reality on others.
Today, all physicists know from studying Einstein and Bohr that sometimes an idea which looks completely paradoxical at first, if analyzed to completion in all detail and in experimental situations, may, in fact, not be paradoxical.
Acting deals with very delicate emotions. It is not putting up a mask. Each time an actor acts he does not hide; he exposes himself.
Masks are wonderfully paradoxical in this way: while they may hide the physical reality, they can show us how a person wants to be seen.
Whereas the comic confronts simply logical contradictions, the tragic confronts a moral predicament. Not minor matters of true andfalse but crucial questions of right and wrong, good and evil face the tragic character in a tragic situation.