A Quote by Friedrich Nietzsche
There is no more dreary or more repulsive creature than the man who has evaded his genius.
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There exists no more repulsive and desolate creature in the world than the man who has evaded his genius and who now looks furtively to left and right, behind him and all about him. ... He is wholly exterior, without kernel, a tattered, painted bag of clothes.
When the sacredness of one's word is matched in the attributes of his character throughout, all that constitutes a man, then we find that there is something in a man's life greater than his occupation or his achievements; grander than acquisition or wealth; higher than genius; more enduring than fame.
Scarcely any law of our Redeemer is more openly transgressed, or more industriously evaded, than that by which he commands his followers to forgive injuries. Samuel
The artist of today is more than an improved camera, he is more complex, richer, and wider. He is a creature on the earth and a creature within the whole, that is, a creature on a star among stars.
Man is more courageous, pugnacious, and energetic than woman, and has a more inventive genius. His brain is absolutely larger, but whether relatively to the larger size of his body, in comparison with that of woman, has not, I believe been fully ascertained. In woman the face is rounder; the jaws and the base of the skull smaller; the outlines of her body rounder, in parts more prominent; and her pelvis is broader than in man; but this latter character may perhaps be considered rather as a primary than a secondary sexual character. She comes to maturity at an earlier age than man.
Thus man of all creatures is more than a creature, he is also a creator. Man alone can direct his success mechanism by the use of imagination, or imaging ability.
It is essential that we realize once and for all that man is much more of a sex creature than a moral creature. The former is inherent, the other is grafted on.
Genius is talent provided with ideals. Genius starves while talent wears purple and fine linen. The man of genius of today will infifty years' time be in most cases no more than a man of talent.
Man, being made reasonable, and so a thinking creature, there is nothing more worthy of his being than the right direction and employment of his thoughts; since upon this depends both his usefulness to the public, and his own present and future benefit in all respects.
A genius is the man in whom you are least likely to find the power of attending to anything insipid or distasteful in itself. He breaks his engagements, leaves his letters unanswered, neglects his family duties incorrigibly, because he is powerless to turn his attention down and back from those more interesting trains of imagery with which his genius constantly occupies his mind.
The man who labors to please his neighbor for his good to edification has the mind that was in Christ. It is a sinner trying to help a sinner. Even a feeble, but kind and tender man, will effect more than a genius, who is rough and artificial.
Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.
A man of genius is not a man who sees more than other men do. On the contrary, it is very often found that he is absentminded andobserves much less than other people.... Why is it that the public have such an exaggerated respect for him--after he is dead? The reason is that the man of genius understands the importance of the few things he sees.
There is not a more repulsive spectacle than on old man who will not forsake the world, which has already forsaken him.
No estimate is more in danger of erroneous calculations than those by which a man computes the force of his own genius.
Man... is an inextricable tangle of culture and biology. And not being simple, he is not simply good; he has... a kind of hell within him from which rise everlastingly the impulses which threaten his civilization. He has the faculty of imagining for himself more in the way of pleasure and satisfaction than he can possibly achieve. Everything that he gains he pays for in more than equal coin; compromise and the compounding with defeat constitute his best way of getting through the world. His best qualities are the result of a struggle whose outcome is tragic. Yet he is a creature of love.
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