A Quote by Friedrich Nietzsche

I know no other way to associate with great tasks than as play: as a sign of greatness, this is an essential presupposition. — © Friedrich Nietzsche
I know no other way to associate with great tasks than as play: as a sign of greatness, this is an essential presupposition.
Success is in the student, not in the university; greatness is in the individual, not in the library; power is in the man, not in his crutches. A great man will make opportunities, even out of the commonest and meanest situations. If a man is not superior to his education, is not larger than his crutches or his helps, if he is not greater than the means of his culture, which are but the sign-boards pointing the way to success, he will never reach greatness. Not learning, not culture alone, not helps and opportunities, but personal power and sterling integrity, make a man great.
Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.
The greatness of a man is measured by the way he treats the little man. Compassion for the weak is a sign of greatness
The greatness of a man is measured by the way he treats the little man. Compassion for the weak is a sign of greatness.
Man is so great that his greatness appears even in the consciousness of his misery. A tree does not know itself to be miserable. It is true that it is misery indeed to know one's self to be miserable; but then it is greatness also. In this way, all man's miseries go to prove his greatness. They are the miseries of a mighty potentate, of a dethroned monarch.
There are people who are so presumptuous that they know no other way to praise a greatness that they publicly admire than by representing it as a preliminary stage and bridge leading to themselves.
Greatness consists in trying to be great. There is no other way.
The only way a work of art can become great is for one to acknowledge that it doesn't belong to anybody. The greatness is in constantly giving back, coming to an acknowledgment of the source. Look back to the source of any individual, any process, any set of materials. If the individual personality can relinquish its insistence on concepts like this is mine, I did it, this is original, nobody else has done it, it goes straight for greatness or the essential spirit.
So there is not a lot about me that you don't know other than that I play table tennis. I'm great, I'm great at table tennis! You will look at me and go, 'How does that dude know how to play that well?'
Their unselfishness, the way they play and their poise factor. When you never panic, that's a great sign.
I'm convinced that the greatness that matters more is the greatness people achieve through helping each other, through collaborating, more than the greatness that's achieved by grabbing all you can or getting all you can or building all you can.
One measure of the greatness of a work is that the characters who play roles in the narrative feel its essential truth. As someone who is proud to have been there during much of the action David Sepkoski describes, I give his description and analysis of the history of paleobiology a five-star rating; to my mind, this actually was the way it was.
Let us remember, too, that greatness is not always a matter of the scale of one’s life, but of the quality of one’s life. True greatness is not always tied to the scope of our tasks, but to the quality of how we carry out our tasks whatever they are. In that attitude, let us give our time, ourselves, and our talents to the things that really matter now, things which will still matter a thousand years from now.
Realism isn't something most people associate with the fantasy genre, yet it's an essential element of great fantasy writing.
True, I don't begin with an idea for a play - a thesis, in other words, to construct the play around. But I know a good deal about the nature of the characters. I know a great deal about their environment. And I more or less know what is going to happen in the play.
A man that loves to be peevish and paramount, and to play the sovereign at every turn, does but blast the blessings of life, and swagger away his own enjoyments; and not to enlarge upon not folly, not to mention the injustice of such a behavior, it is always the sign of a little, unbenevolent temper. It is disease and discredit all over, and there is no more greatness in it, than in the swelling of a dropsy.
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