A Quote by Friedrich Nietzsche
He who recites dramatic works makes discoveries about his own character.
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A person whose desires and impulses are his own - are the expression of his own nature, as it has been developed and modified by his own culture - is said to have a character. One whose desires and impulses are not his own, has no character, no more than a steam-engine has character.
Faced with crisis, the man of character falls back on himself. He imposes his own stamp of action, takes responsibility for it, makes it his own.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
Everywhere I am hindered of meeting God in my brother, because he has shut his own temple doors and recites fables merely of his brother's, or his brother's brother's God.
There are two sorts of hypocrites: ones that are deceived with their outward morality and external religion; and the others are those that are deceived with false discoveries and elevation; which often cry down works, and men's own righteousness, and tlak much of free grace, but at the same time make a righteousness of their discoveries and of their humiliation, and exalt themselves to heaven with them.
Every man makes his own summer. The season has no character of its own, unless one is a farmer with a professional concern for the weather.
Blaming society makes it awfully easy for a person of weak character to shrug off his own responsibility for his actions.
Best of all, persons can sometimes be app-transcendent: making dramatic progress or discoveries, without any dependence on any app. In this context, I like to mention Steve Jobs. While he had as much to do as anyone with the invention and development of apps, he NEVER was limited by the current technology - indeed, he typically transcended it and relied on his own considerable wits.
Fred Hoyle was one of the first scientists to become famous on television and radio. It was because he told a dramatic story about the universe - about how amazing it is and the extraordinary discoveries that astronomers like him were making.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
Obviously making Peter Parker suddenly bisexual or gay wouldn't really make logical or dramatic sense. It was a hypothetical kind of question about the nature of these comic book characters and the nature of this particular character, and whether sexuality, race, any of those things makes any difference to the character of Peter Parker.
Many biblical passages teach that we're not saved by our own efforts but by the grace of God alone. But the same passages also tell us good works are an essential evidence of the salvation experience. We're not saved by good works, but for good works. It begins with God's grace, and it's sustained by his grace as you shape your character by what you do as you cross the bridge.
One of the reasons Batman works as a character is that it's not beyond possibility that he could exist - you could become Batman if you had a billion dollars at your disposal. There's nothing paranormal or superhuman or supernatural about that character. And I think his villains work the same way. You could be one of his villains just as easily.
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.
Education makes human beings more articulate. It transforms people. You can think differently about the world. It makes it possible for you to get jobs. It makes a dramatic difference. It generates a social equity that we need.
Being by his faith replaced afresh in paradise and created anew, he (the believer)does not need works for his justification, but that he may not be idle, but that he may exercise his own body and preserve it. His works are to be done freely, with the sole object of pleasing God.
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