A Quote by Friedrich Nietzsche

Everything that is ponderous, vicious and pompously clumsy, all long-winded and wearying kinds of style, are developed in great variety among Germans. — © Friedrich Nietzsche
Everything that is ponderous, vicious and pompously clumsy, all long-winded and wearying kinds of style, are developed in great variety among Germans.
Recently, the Germans have developed a tendency to prefer the so-called first (youthful) style of great artists to their mature works. Could it be that they do not realize that their aesthetic criteria, generally speaking, are juvenile?
I do longer runs on things, a lot stories. I really like one-liners, I like a lot of different kinds of standup but I've always been long-winded.
A vicious teacher is just a vicious teacher, as a vicious neighbor may happen to be. But a vicious mother - means that the whole world is vicious.
Everywhere there is craft and technique; everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of its awkwardness it obstructs that inner element.
We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
One of the market's virtues, and the reason it enables so much peaceful interaction and cooperation among such a great variety of peoples, is that it demands of its participants only that they observe a relatively few basic principles, among them honesty, the sanctity of contracts, and respect for private property.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
But everything written has style. The list of ingredients on the side of a cornflakes box has style. And everything literary has literary style. And style is integral to a work. How something is told correlates with - more - makes what's being told. A story is its style.
My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.
We could in the United States make as great a variety of wines as are made in Europe, not exactly of the same kinds, but doubtless as good.
The United States of America will sound as pompously in the world or in history as The Kingdom of Great Britain.
The great champions were always vicious competitors. You never lose respect for a man who is a vicious competitor, and you never hate a man you respect. I don't like Rod Laver because he's such a vicious competitor, but I don't dislike him.
After one of his [Hubert Humphrey] long-winded harangues I suggested he had probably been vaccinated with a phonograph needle. He responded by saying that I would have been a great success in the movies working for Eighteenth Century-Fox.
Doubt is long-winded. Certainty is brief.
I don't quite know why, but I am long-winded.
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