A Quote by Friedrich Nietzsche
To get into just those situations where sham virtues will not suffice, but rather where, as with the ropedancer on his rope, one either falls or stands--or gets down.
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One should adpot only those situations in which one is in no need of sham virtues, but rather, like the tight-rope dancer on his tight rope, in which one must either fall or stand--or escape.
He who falls, falls by his own will, and he who stands, stands by God's will.
When a miner looks at the rope that is to lower him into the deep mine, he may coolly say, "I have faith in that rope as well made and strong." But when he lays hold of it, and swings down by it into the tremendous chasm, then he is believing on the rope. Then he is trusting himself to the rope. It is not a mere opinion - it is an act. The miner lets go of every thing else, and bears his whole weight on those well braided strands of hemp. Now that is faith.
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
Virtues are, in the popular estimate, rather the exception than the rule. There is the man and his virtues.
I think bullfights are for men who aren't very brave and wish they were. If you saw one you'll know what I mean. Remember after all the cape work when the bull tries to kill something that isn't there? Remember how he gets confused and uneasy, sometimes just stands and looks for an answer? Well, then they have to give him a horse or his heart will break. He has to get his horns into something solid or his spirit dies. Well, I'm that horse. And that's the kind of men I get, confused and puzzled. If they can get a horn into me, that's a little triumph.
...A man can only stumble for so long before he either falls or stands up straight.
And when one of you falls down he falls for those behind him, a caution against the stumbling stone. Ay, and he falls for those ahead of him, who though faster and surer of foot, yet removed not the stumbling stone.
There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word?tension?has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end?is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?
We forget the gospel when we neglect our adoption and think that we're still just a hired servant. The Father doesn't let us come to him on those terms. We will either come as sons or we will stay with the pigs. He won't let us earn anything from him because there will be no boasting in his sight. It will either be that Jesus and his glorious gospel has the preeminence or we will go it on our own.
A man is at the bar, drunk. I pick him up off the floor, and offer to take him home. On the way to my car, he falls down three times. When I get to his house, I help him out of the car, and on the way to the front door, he falls down four more times. I ring the bell and say, Here's your husband! The man's wife says, Where's his wheelchair?
I recently saw the movie about Ray Charles, and there's a scene where he falls down and the mother doesn't help him. She says, I don't want anyone to treat you like a cripple. I've fallen down before, and Molly will say, get up and just go.
Some people criticise me for not being animated enough, for sitting in stands and not showing any passion. I come down, get involved in a couple of situations and all of a sudden, it's a slightly different angle.
Courage is not how a man stands or falls, but how he gets back up again
Red zone, third down, I want to be the guy who gets the number called. I put a lot of pride into what I do as a receiver in those situations - using my body when we need to make a play.
I look at decisions like - it's like an Indiana Jones movie. The guy comes to a rope ladder, and he's being chased. There's uncertainty on the other side, but he knows when he gets to the other side, he's going to take his machete and cut the rope ladder behind him. He has no retreat.
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