A Quote by Friedrich Nietzsche

A beautiful woman seductively dressed will never catch cold no matter how low-cut her gown. — © Friedrich Nietzsche
A beautiful woman seductively dressed will never catch cold no matter how low-cut her gown.
Look, guys, no matter what a girl does, no matter how she's dressed, no matter how much she's had to drink, it's never, never, never, never, never OK to touch her without her consent. This doesn't make you a man. It makes you a coward.
When a woman wears a low-cut gown, what does she expect you to do: look or not look?
No matter how plain a woman may be, if truth and honesty are written across her face, she will be beautiful.
Contentment preserves one from catching cold. Has a woman who knew that she was well dressed ever caught a cold? No, not even when she had scarcely a rag on her back.
I learned from her that every woman is worried about her looks, no matter how beautiful she is.
That beautiful mild woman for whose sake There's many a one shall find out all heartache On finding that her voice is sweet and low Replied, 'To be born a woman is to know- Although they do not talk of it at school - That we must labor to be beautiful.
I contend that every woman has the right to feel beautiful, no matter how scrambled her features, or how indifferent her features.
Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, "ugh." And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.
Ava Gardner was the most beautiful woman in the world, and it's wonderful that she didn't cut up her face. She addressed aging by picking up her chin and receiving the light in a better way. And she looked like a woman. She never tried to look like a girl.
You are my siren,” he said, running his hands along her thighs and down her calves, feeling the shape of her even as the silk of her gown kept them both from what they wanted. “My temptress . . . my sorceress . . . I cannot resist you, no matter how I try. You threaten to send me over the edge.
You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.
I have never seen a beautiful painting of a beautiful woman. But you can take an ugly woman and make a beautiful painting of her. It is the painting itself that should be beautiful.
Above all else she mustn't think that using her body will help her attain her goal. Men use women who play seductively, and then they look down on them.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
A woman in the depths of despair proves so persuasive that she wrenches the forgiveness lurking deep in the heart of her lover. This is all the more true when that woman is young, pretty, and so decollete as to emerge from the neck of her gown in the costume of Eve.
You will never catch up with the spread of AIDS no matter how much money, no matter how many antiretrovirals are put into the system, unless you stop its growth. And the only way to stop its growth is prevention.
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