A Quote by Friedrich Nietzsche

There is something laughable about the sight of authors who enjoy the rustling folds of long and involved sentences: they are trying to cover up their feet. — © Friedrich Nietzsche
There is something laughable about the sight of authors who enjoy the rustling folds of long and involved sentences: they are trying to cover up their feet.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
Digging into the creation of the Puritan mind-set involved really trying to wrap my head around extreme Calvinism and what that's all about. I now understand predestination, and I had to read the Geneva Bible cover-to-cover and read the gospels quite a bit to get into that world.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
Time folds you in its arms and gives you one last kiss, and then it flattens you out and folds you up and tucks you away until it's time for you to become someone else's past time, and then time folds again.
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
I'm 5 feet 7 but my legs weren't long enough to be a big-time model. From the knees up, everything is long but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
As long as I can do something that I am passionate about and that I can really enjoy and the audience can enjoy. That is where my enthusiasm comes from.
I'm an actor that loves to eat on camera. I love it. Something about the act of eating means that you actually can't act as much. You have to be involved in the very real task of trying to ingest sustenance without choking and dying. Something about that process takes the heat off trying to act and often feels more natural.
Don't be afraid to do weird stuff, so long as you do it cheaply and cover everyone's bets. Be bold. Be stupid, if you have to: so long as you don't hurt anybody, what's it matter how dopey your dream is? If I hadn't made TUSK? If I'd let it die as a podcast? I wouldn't have three other movies I'm now making within the span of a year. Some folks will try to shame you for trying something outside the norm; the only shame is in not trying to accomplish your dreams.
I thought it was amazing to work with authors, to get a manuscript and try to make up a cover for it.
I'm always cooking and can be found in the kitchen rustling up something for myself and the boys.
And the word is capitalism. We are too mealy-mouthed. We fear the word capitalism is unpopular. So we talk about the free enterprise system and run to cover in the folds of the flag and talk about the American Way of Life.
I was a floor model at I. Magnin. I'm 5 feet 7, but my legs weren't long enough to be a big-time model. From the knees up, everything is long, but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
The diplomatic thing for me to say is that if publishers are dressing up other authors as Terry Pratchett clones then they are doing a disservice to those authors. If they didn't dress them as clones but did something different, then those authors could be pioneering in a different sense.
I don't enjoy public performances and being up on a stage. I don't enjoy the glamour. Like tonight, I am up on stage and my feet hurt.
Here's the breakdown: alcohol dehydrates you and stimulates acid reflux. Then, when you sing on dry, irritated vocal folds, your folds swell. When your folds swell, they cause hoarseness, which makes you feel like you have to push harder to get a sound out.
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